Wed, 24 Sep 2025, 09:28 am

No end to illegal parking

BD Daily Online Desk:
  • Update Time : Sunday, February 11, 2024
  • 74 Time View

Rickshaw puller Md Murad from Nakhalpara expressed his frustration while plying the capital’s Mayor Annisul Huq Road as it is full of parked trucks, pickups, and covered vans leading to traffic congestions.

‘This road has become a daily struggle for us. Using this road is time consuming because of the traffic congestion created due to the illegal parking on the road,’ said Murad.

 

Like Murad, many rickshaw pullers, other vehicle users and pedestrians expressed their woes over using the road.

Ferdous Mondal, a rider of ride sharing service Uber, said that trucks, pickups and covered vans, parked on both sides of the road illegally, have narrowed the road.

‘I have to use the road as it is one of the major thoroughfares connecting many areas,’ said Ferdous.

Many commuters found to be remembering the late Dhaka North City Corporation Mayor Annisul Huq as he successfully cleared the road from encroachment by the vehicles despite violent protests by truck owners in December, 2015.

Although evicted by the late mayor, the truck and covered van owners have reoccupied the road bringing down late mayor’s tireless efforts to ease traffic congestion for pedestrians and locals.

Also, the road has become narrower due to the two additional rickshaw lanes initiated by the DNCC mayor Atiqul Islam in 2023.

Many commuters, including students and staff of government and private offices, use the road connecting Tejgaon, Farmgate and Karwan Bazar with Mohakhali, Banani, Gulshan and Niketon.

Mahmud Hasan, a 2nd-year student at Govt Science College near Farmgate, said that he walked the road most of the time instead of taking any vehicles on the road to avoid traffic congestion.

‘When my vehicle gets stuck in a traffic jam on the road, I just start to walk. But it is also difficult to walk on the roadside due to the presence of so many trucks,’ said Mahmud.

When asked, truck drivers expressed their helplessness over the matter and urged DNCC to provide parking space options.

They asked, ‘Where can we park our vehicles if there is no other place to park?’

Hossain Ahmed Majumder, general secretary of Bangladesh Truck Covered Van Transport Agency Owners Association, said that the drivers were forced to park their vehicles on the road as there was no parking option.

‘If the DNCC does not provide a permanent parking arrangement, the problem will continue,’ added Hossain.

DNCC spokesperson Mukbul Hossain said that when DNCC officials went to inspect the road, the trucks were removed from the road but they return after the inspection.

‘DNCC is set to construct a permanent multi-storey truck stand for parking the vehicles on a five acre land near the present illegal parking location,’ said Mukbul.

He hoped that the problem would be solved permanently after the construction of the truck stand.

However, experts criticised DNCC for its inability to enforce parking laws and provide alternative parking options for so many years.

The executive director of the Institute for Planning and Development, Adil Mohammad Khan, told New Age that DNCC should assure the vehicle owners of a permanent truck stand.

He said that DNCC should provide a specific place as a temporary arrangement for parking the vehicles until the permanent truck stand got ready.

‘DNCC should sit for discussions with vehicle owners and drivers to find a solution that accommodates the needs of all stakeholders,’ said Adil.

Please Share This Post in Your Social Media

Leave a Reply

Your email address will not be published. Required fields are marked *

More News Of This Category

The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

© All rights reserved © 2019 WeeklyBangladeshNY.Net
Theme Dwonload From ThemesBazar.Com