Thu, 18 Sep 2025, 06:22 pm
শিরোনাম :
Egypt says 3,000-year-old gold bracelet missing from museum Starmer to recognise Palestinian state ‘after Trump state visit’ Why does sport struggle with equal pay? Deepika Padukone dropped from Kalki sequel Surge in deadly ‘brain-eating’ amoeba cases causes alarm in India’s Kerala Gunman kills three police officers, wounds two in Pennsylvania Students from 7 govt colleges warn of ‘tough demos’ if univ ordinance not issued by Monday ICT hears Nahid Islam’s testimony against Sheikh Hasina Dhaka extends warm welcome to upcoming EU pre-polls mission visit Chhatra Dal announces panel for CUCSU election
NewYork

After 5 Years, Sleepovers Are Finally Back At NYC’s Museum Of Natural History — The First One Is This October

If you’ve ever dreamed of living out your own Night at the Museum moment, the American Museum of Natural History is making it happen once again—this time after a five-year hiatus! The legendary A Night read more

New York marks 9/11 attacks against divided backdrop

Immigrant from Bangladesh, four others killed in NY office shooting

Trump slams Musk’s political party as ‘ridiculous’

Beyond growth: rise of incivility

The New York region that changed history 250 years ago

Most Beautiful College Campus In The World Is In New York State

One of the most beautiful college campuses in the world can be found in New York State. When it comes to campuses, the world offers an array of breathtaking settings

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New York set to increase minimum wage; here’s how much more workers will earn

Those earning minimum wage in New York state are set to receive a raise at the start of the new year. On Jan. 1, 2025, the minimum wage will increase

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United States appreciates Bangladesh’s effort to ensure security for all

The United States has welcomed the ongoing efforts of Bangladesh’s interim government to ensure the safety and security of all citizens. A spokesperson for the US Department of State made

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Harris vows Gaza peace, Trump tone darkens in final hours

Kamala Harris courted voters angered by the Gaza war while Donald Trump doubled down on violent rhetoric with a comment about journalists being shot as the tense US election campaign entered its

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Special 49th BCS exam to be held on 10 Oct

China’s victory in people’s war against fascism

A real chance for change in Sri Lanka

JAGPA president injured in knife attack outside Gono Odhikar Parishad office

Left-leaning VP candidate loses candidacy in JUCSU polls

Unexpected incidents taking place in some univs, discussion for solution starts: Edn adviser

The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

CA to hold meeting with 7 more political parties this afternoon

BMD predicts flashflood, multiple low pressures in September across Bangladesh

Hamas rejects reported plan for US takeover of Gaza

Mohammad Hamiduzzaman MD, Chairman, Editorial Board

M. Abid Rahman, Editor

A K Azad, Bangladesh Bureau Chief

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