Tue, 23 Sep 2025, 10:56 am
Bangladesh

Bangladesh maritime ports asked to hoist cautionary signal No 3

The maritime ports of Chattogram, Cox’s Bazar, Mongla and Payra have been advised to hoist local cautionary signal No 3 as the deep depression over Northwest Bay and adjoining West

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ADC Anowar Pasha appointed as administrator for CCCI

The government has appointed Muhammad Anowar Pasha, additional divisional commissioner (general) of Chattogram, as the administrator for the Chittagong Chamber of Commerce and Industry. A notification, signed by Naznin Kawsar

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Many edn instts yet to reopen in Feni, Cumilla, Noakhali

Many educational institutions in the flood-hit Feni, Cumilla and Noakhali districts have yet not been able to reopen for different reasons. Many educational institutions in these districts are still been

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Joy demands punishment for killers of ex-BCL leader Masud in Rajshahi

Awami League president Sheikh Hasina’s son, Sajeeb Wazed Joy, on Monday demanded immediate arrest and exemplary punishment of the killers of Abdullah Al Masud, a former leader of Chhatra League

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Listed drug peddler Shahjahan detained in Dhaka

Members of Rapid Action Battalion arrested listed drug peddler Shahjahan Mia, nephew of former lawmaker Abdur Rahman Bodi, in Dhaka’s Bashundhara residential area on Sunday night. Imran Khan, assistant superintendent

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5 killed in Sirajganj road accident

Five people were killed and one was injured in a head-on collision between a CNG-powered auto-rickshaw and a microbus in Kamarkhand of Sirajganj. The accident took place in front of

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Bus movement on Ctg-Cox’s Bazar route suspended

Transport owners suspended bus movement on Chattogram-Cox’s Bazar route on Sunday morning protesting against attacks on some transport workers. Transport workers said they staged demonstrations in the Natun Bridge area,

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Ex-BCL leader beaten to death in Rajshahi

A former leader of Bangladesh Chhatra League, student wing of Awami League, was beaten to death by local people in Rajshahi on early Sunday. The deceased, Abdullah Al Masud, 35,

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Dhaka’s air quality remains moderate with AQI score of 82

Dhaka, the overcrowded capital city of Bangladesh, has ranked the 18th on the list of cities with the worst air quality with an AQI score of 82 at 9:00am on

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Two killed in stabbing at Pabna bus terminal

Two men were killed in a stabbing incident Wednesday morning near the central bus terminal in Pabna, allegedly over a drug-related dispute. The attack occurred in front of Halim Hotel

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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