Tue, 23 Sep 2025, 10:47 am
Bangladesh

Fourteen more cases filed, 243 arrested over recent unrest: DMP

Fourteen more cases have been filed in connection with the quota movement clashes in Dhaka over the last 24 hours till 6:00am on Monday. With this, a total of 243

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Met office predicts light to moderate rains across Bangladesh

Bangladesh Meteorological Department on Saturday predicted light to moderate rains across the country in 24 hours commencing 9:00am. ‘Light to moderate rain or thunder showers accompanied by temporary gusty wind

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2 KNF members killed in joint forces’ drive in Bandarban

Two members of armed separatist group Kuki-Chin National Front (KNF) were killed in a drive conducted by the joint forces in Bandarban on Wednesday morning. The identities of the deceased

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Traffic congestion hits Dhaka despite fewer public transports

Although the number of public transport remained lower than usual, traffic congestion surged at various points in the capital due to a sudden rush of vehicles on Wednesday. City residents,

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Helicopter rescue trapped police men from Canadian University

Two helicopters were seen rescuing at the Canadian University of Bangladesh in Merul Badda to rescue police officers trapped inside. One of the helicopters was seen airlifting several police members.

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Students’ blockade snaps rail link between Dhaka, rest of Bangladesh

Rail communications between Dhaka and the rest of Bangladesh were snapped Thursday afternoon as students demanding quota reform in government jobs blocked the rail track at Mohakhali area in the

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Tense situation prevails at Badda after students-police clash

A clash erupted between police and students of BRAC University in the Badda area of Bangladesh capital Dhaka on Thursday when the students demanding quota reform in government jobs gathered

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One quota protester killed, 16 injured in Rangpur clash

A student of Begum Rokeya University in Rangpur was killed and sixteen others were injured during a clash between the police and quota protesters in front of the university on

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Students block Science Laboratory crossing demanding quota reform

Students expressed solidarity with quota protesters blocking the Science Laboratory crossing in Bangladesh capital Dhaka at 12:00 noon on Tuesday. Students of Dhaka College, City College, Ideal College Dhanmondi and

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Bangladesh may see light to moderate rain over 24hrs

Bangladesh Meteorological Department has forecast rain or thundershowers in all divisions including in Dhaka division in 24 hours commencing 9:00am on Monday. ‘Light to moderate rain or thunder showers accompanied

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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