Tue, 23 Sep 2025, 09:55 am
Entertainment

Alauddin Ali to be buried at Martyred Intellectuals Graveyard today

National award-winning music director and composer Alauddin Ali will be laid to rest at Martyred Intellectuals Graveyard in Mirpur of the capital on Monday. The first Namaz-e-Janaza of Alauddin Ali

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Indian actress Anupama Pathak dies by suicide in Mumbai

Indian Bhojpuri actress Anupama Pathak has died allegedly by suicide in Dahisar East, her Mumbai residence on August 2. The police have recovered a suicide note. In suicide note, Anupama

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Film actor Abdus Sattar no more

Popular film actor of the decade 80’s Abdus Sattar passed away on Tuesday evening. He was 72. The actor breathed his last at 7:00 pm yesterday on his way to

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Madonna post blocked by Instagram for false virus video

Superstar singer Madonna has been censored on Instagram for spreading false information about a supposed cure for COVID-19 after she shared clips from a video also re-tweeted by Donald Trump.

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Amitabh Bachchan says Aaradhya asked him not to cry and said ‘you’ll be home soon’, pens an open letter to haters

Amitabh Bachchan couldn’t hold back his emotions when daughter-in-law Aishwarya Rai and granddaughter Aaradhya were discharged from the hospital on Monday after testing negative for Covid-19. The actor has shared

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Prince Harry’s ex Cressida Bonas marries Harry Wentworth-Stanley in secret ceremony

Prince Harry’s ex-girlfriend Cressida Bonas has married her fiancé Harry Wentworth-Stanley. The actress, 31, tied the knot with the estate agent and son of the Marchioness of Milford Haven, over

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Amitabh Bachchan shares effects of Covid-19 treatment in isolation ward

Bollywood megastar Amitabh Bachchan, who is undergoing treatment for Covid-19 at the isolation ward of the Nanavati hospital in Mumbai, has opened up about how not seeing a human being

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Wiley dropped by manager over anti-Semitic posts

Grime artist Wiley has been dropped by his management following anti-Semitic comments on his social media accounts. His manager John Woolf said A-List Management has “cut all ties” after a

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Film actress Popy tests positive for Covid-19

Popular Dhallywood actress Sadika Parvin Popy has been tested positive for Covid-19. According to several media reports on Friday, the three times National Film Award winning heroine is undergoing treatment

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Kim Kardashian seeks ‘compassion’ for husband Kanye West

Kim Kardashian West on Wednesday opened up about her husband Kanye West’s bipolar disorder, calling on the media and public to show “compassion and empathy” in light of the rapper’s

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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