Tue, 23 Sep 2025, 11:12 am
Entertainment

Shakib Khan set to star Pan-Indian film ‘Dard’ alongside Sonal Chauhan

Dallywood megastar Shakib Khan is all set to make his mark as the lead actor in the Pan-Indian film ‘Dard’ alongside popular Bollywood actress Sonal Chauhan. The Pan-Indian film is

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Mehazabien starts ‘shooting’ for film

Mehazabien Chowdhury will make her debut on the silver screen; the rumor has spread many times. The popular small screen actor has also repeatedly said that she will act in

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Hollywood actors call for Middle East ceasefire

A-list Hollywood celebrities including Cate Blanchett, Joaquin Phoenix, Ramy Youssef and Andrew Garfield penned a letter to US President Joe Biden on Friday, urging him to call for a ceasefire

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I love to take challenges: Khairul Basar

Young actor Khairul Basar has already made a mark in the showbiz arena with his performance. He has mostly worked on the small screen but was also seen in a

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I love to take challenges: Khairul Basar

Young actor Khairul Basar has already made a mark in the showbiz arena with his performance. He has mostly worked on the small screen but was also seen in a

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After health scare, Madonna launches tour celebrating 40 years as ‘Queen of Pop’

Three-and-a-half months after she was hospitalised with a bacterial infection that forced the cancellation of her 40th anniversary “Celebration” tour, Madonna returns on Saturday with the start of a 78-date

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Michael Douglas to get Satyajit Ray Lifetime Achievement Award

The prestigious Satyajit Ray Lifetime Achievement Award will be conferred to the renowned Hollywood actor and producer Michael Douglas at the 54th International Film Festival of India (IFFI) to be

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Mujib biopic will present Bangladesh’s history to people: PM

Prime minister Sheikh Hasina on Thursday said that the nation would learn a lot of unknown information and new chapter of the history through the much-awaited Biopic ‘Mujib: The Making

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SM Sultan’s 29th death anniv today

Today is the 29th anniversary of the death of renowned artist SM Sultan. Different organisations, including Bangladesh Shilpakala Academy, SM Sultan Foundation and Narail district administration will pay tribute to

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‘Tasher Desh’ Staged at Scholastica Senior Campus Mirpur

With immense zeal and fervor, Scholastica Senior Campus, Mirpur staged the splendid play ‘Tasher Desh,’ a masterpiece by the revered poet Rabindranath Tagore. The school’s STM Hall served as the

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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