Mon, 22 Sep 2025, 07:08 am
Health

Why are some kids at high risk of Covid-related MIS-C?

Though Covid was rare and mild in children, some of those infected faced severe multisystem inflammatory syndrome (MIS) and had to be admitted to the intensive care unit (ICU). An

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Omicron lasts three days less than Delta for boosted: study

People who are vaccinated and have had a booster shot against Covid-19 recover from symptoms from the Omicron variant more than three days earlier than those with the Delta variant,

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Plastic particles found deep in live human lungs for the first time

In the last decade we’ve seen studies unearth plastic pollution in some unexpected places, from the Arctic, to the Antarctic, and the world’s tallest mountain in between. More recently, we’ve

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Russia registers nasal version of Sputnik V

The Russian Health Ministry has registered the nasal version of its Covid-19 jab, Sputnik V, which is said to be the world’s first nasal vaccine against the virus, IANS reported.

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Habits of the Kids which Healthy Kidney Fits

Habit-forming starts from the first day of life. Why is it so important to build good habits in children? Any kind of bad habit formed is equal to a big

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Singapore moves towards lifting egg-freezing ban

Singapore has proposed lifting a long-standing ban on women freezing their eggs to have children in later life but campaigners Wednesday criticised the policy as not going far enough. The

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Singapore moves towards lifting egg-freezing ban

Singapore has proposed lifting a long-standing ban on women freezing their eggs to have children in later life but campaigners Wednesday criticised the policy as not going far enough. The

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Matching drugs to DNA is ‘new era of medicine’

We have the technology to start a new era in medicine by precisely matching drugs to people’s genetic code, a major report says. Some drugs are completely ineffective or become

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Crimean-Congo haemorrhagic fever case found in UK

UK officials say they have found a confirmed case of a viral illness called Crimean-Congo haemorrhagic fever in England. The woman, who is being treated at the Royal Free Hospital

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Chinese auto brands gain larger market share in first two months

The share of Chinese passenger car brands in the domestic market increased in the first two months of the year, data from an industry association showed, Xinhua reported. Over 1.63

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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