Wed, 24 Sep 2025, 09:28 am
Health

Out-of-pocket expenditure for health service rises by 1.5 percentage points

The out-of-pocket expenditure as a share of current health expenditure for Bangladesh has risen by 1.50 percentage points from the previous record. The information was disclosed on Sunday at a

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3rd dose of Covid vaccine to be offered to over-40s in UK

All over-40s in the UK will be offered a third dose of a Covid vaccine, after advice from the government scientists. The move would top up protection and help limit

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‘Mysterious viral fever’ being witnessed in Pakistan’s Karachi

Cases of “mysterious viral fever” are being witnessed in Pakistan’s Karachi that behave exactly like dengue fever as it reduces platelets and white blood cells of the patients, local media

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AstraZeneca to take profits from Covid vaccine

AstraZeneca has started to move away from providing its Covid-19 vaccine to countries on a not-for-profit basis, BBC reported. The drugs giant has signed a series of for-profit agreements for

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New RNA-based therapy protects mice from Covid virus, variants: Study

Researchers have identified an RNA molecule that stimulates the body’s early antiviral defence system, and can protect mice from a range of variants of CoV-2, the virus that causes COVID-19.

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WHO looking forward to oral, nasal Covid vaccines

The World Health Organization’s chief scientist said Tuesday she was looking forward to the “second generation” of Covid-19 vaccines, which could include nasal sprays and oral versions. Soumya Swaminathan said

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Regular 10pm bedtime linked to lower heart risk

There appears to be an optimal bedtime – between 10pm and 11pm – linked to better heart health, say researchers who have studied 88,000 volunteers. The team behind the UK

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Govt moves to allow Corona medicine manufacturing in Bangladesh

The government has taken initiative to allow manufacturing the Coronavirus medicine Molnupiravir in the country in a bid to ensure proper treatment of the Covid 19 patients. Sources at Directorate

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Kanpur’s Zika outbreak sees surge of nearly 100 cases

At least 89 people, including 17 children, have tested positive for the Zika virus in a surge of cases in the Indian city of Kanpur, its health department said on

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Govt trying to ensure proper mental health service to people: Health minister

Health and family welfare minister Zahid Maleque on Sunday said the government is trying to ensure proper mental health service in the country. “We ignored the mental health issue in

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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