Tue, 23 Sep 2025, 09:28 am
Health

When should be get screened for colon cancer?

Colorectal cancer begins in the colon or rectum and can be referred to as colon or rectum cancer depending upon where it originates. The large intestine or large bowel is

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Pfizer/BioNTech seek first vaccine approval in US

US biotech giant Pfizer and German partner BioNTech sought approval Friday to roll out their coronavirus vaccine early, a first step towards relief as surging infections prompt a return to

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Test fees of private hospitals to be determined: Zahid Maleque

Health Minister Zahid Maleque has said fees of different tests and services of private hospitals, clinics and diagnostic centres of the country will be fixed. He made the disclosure on

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WHO hails ‘encouraging’ Covid vaccine news

The World Health Organization chief hailed Monday “encouraging” news about Covid-19 vaccines but expressed concern about surging cases in many countries and insisted that complacency was not an option. “We

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Vaccine scientist hopes for return to ‘normal’ by next winter

If coronavirus vaccinations are rolled out widely, life could return to “normal” by next winter, one of the scientists behind the front-running coronavirus vaccine told British television on Sunday. Ugur

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The scientists who developed the Pfizer/BioNTech Covid-19 vaccine are a Turkish-German power couple

Scientists Ugur Sahin and Ozlem Tureci have dedicated their lives to the field of oncology and infectious diseases, and spent years pioneering personalized immunotherapy treatments for cancer. But amid the

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‘Smell, taste changes an early indication of Covid community spread’

An international team of researchers has revealed that self-reports of smell and taste changes provide earlier markers of the spread of infection of SARS-CoV-2 (Covid-19) virus. The study, published in

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Researchers find “promising” herbal therapy for moderate COVID-19

Chinese and German researchers, in a recently-published study,  have suggested that Shufeng Jiedu capsules, a patented herbal drug composed of eight medicinal plants, might be “a promising herbal therapy for moderate

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AstraZeneca to deliver vaccine trial data by year’s end

AstraZeneca hopes to show its COVID-19 vaccine is effective by the end of this year and is ramping up manufacturing so it can supply hundreds of millions of doses starting

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WHO chief in quarantine after contact tests positive for Covid-19

The World Health Organization chief said late Sunday that he was self-quarantining after someone he had been in contact with tested positive for Covid-19, but stressed he had no symptoms.

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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