Tue, 23 Sep 2025, 09:13 am
Health

Bangladesh recruits 70,000 healthcare professionals in 3yrs: minister

Health and family planning minister Zahid Maleque on Monday said that the government had recruited 70,000 healthcare professionals in the past three years to ensure better medical services to the

read more

Little evidence antidepressants help chronic pain: study

However, the British researchers who carried out the review emphasised that patients should not stop taking their current medication, advising them to talk to their doctors instead. Chronic pain, or

read more

US becomes first country to approve RSV vaccine

The United States on Wednesday approved the world’s first vaccine for the Respiratory Syncytial Virus (RSV), the culmination of a decades-long hunt to protect vulnerable people from the common illness.

read more

Are Protein Bars Actually Good for You?

In the late 1980s, two distance runners who were living together in the Bay Area blended vitamins, oat bran, milk protein and corn syrup in their kitchen, concocting what would

read more

Medical waste poses serious threat to public health

Medical waste released from government and private healthcare establishments in the country is posing serious threat to public health and environment. Experts said deadly diseases may spread among people due

read more

Heatwave: Experts warn of health risks

The country is currently experiencing a severe heatwave that has the potential to cause significant harm to people’s health, particularly among children, the elderly, and those with pre-existing conditions. Hospitals

read more

Malaria vaccine gets green light for use in Ghana

A malaria vaccine developed by Britain’s Oxford University is to be used in Ghana, the first time it has received regulatory clearance anywhere in the world. “The vaccine has been

read more

Anti-dengue drive to continue throughout the year: LGRD Minister

Anti-dengue drive will be conducted round the year, said Local Government and Rural Development (LGRD) Minister Md Tajul Islam. “We have decided to conduct drive to control dengue till December.

read more

Infertility affects one in six: WHO

Around one in every six adults experiences infertility, the World Health Organization estimated Tuesday as it called for an urgent increase in access to fertility care. The WHO determined that

read more

Mozambique battling worst cholera outbreak in years: WHO

Mozambique is going through its worst cholera outbreak in more than a decade in the wake of Cyclone Freddy, the World Health Organization said Friday. “While cholera outbreaks regularly occur

read more

The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

© All rights reserved © 2019 WeeklyBangladeshNY.Net
Theme Dwonload From ThemesBazar.Com