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Lifestyle

Self-harm may be socially contagious among adolescents: Study

Self-injury–behaviours like cutting oneself without the intent to die–may be contagious among teenagers, who are more likely to harm themselves when they know someone who has, say researchers. The study,

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5-step immunity-boosting routine to kick start your day

The pandemic has made us all follow some of the healthiest habits. From exercising regularly, taking supplements to having kadha, we all are doing all that we can to keep

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World leaders, celebrities to join WHO’s “Big Event” for mental health Oct 10

The world leaders and internationally-recognized celebrities and mental health advocates will come together for the World Health Organization’s “Big Event” for mental health marking the World Mental Health Day that

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Common cold in past may provide protection from COVID-19: Study

People who have had a bout of seasonal or common cold in the past may get some protection from COVID-19, according to a study which suggests that immunity to the

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The underused weight loss option: bariatric surgery

Growing rates of obesity among Americans are clear evidence that even the best intentions and strongest motivations are often not enough to help seriously overweight people lose a significant amount

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Flu vaccine may not increase Covid-19 risk: Study

Researchers have found that receiving the influenza vaccine does not increase a person’s risk for contracting Covid-19 or worsen associated morbidity or mortality. Published in the Journal of Clinical and

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How to protect children’s eyes during remote learning

More time in front of screens, whether for school or for fun and connection, can result in eye strain, fatigue and headaches, but experts offer simple ways for parents to

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Half of Covid patients in Irish study suffer ongoing fatigue

More than half of patients and staff with Covid-19 monitored by an Irish hospital suffered persistent fatigue in the aftermath of the initial disease, according to a new study Friday

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How to handle anxiety over back-to-school decisions

A combination of dread, panic and sheer exhaustion. This is what I see on the faces of patients (and friends and colleagues) when the conversation turns to the most pressing

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How to set pandemic boundaries for relatives

When pandemic-related shutdowns started, many people rushed to the rescue of their loved ones. They rallied to meet an extraordinary situation and extended themselves in deep and loving ways. They

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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