Mon, 22 Sep 2025, 02:44 am
Literature

Ekushey Book Fair ends today

Amar Ekushey Boi Mela (Book Fair) ends today, just two days before its closure schedule, due to the worsening Covid-19 situation in the country. The decision was taken to close

read more

Amar Ekushey Book Fair closes April 12

The Amar Ekushey Book Fair will end on April 12 instead of its stipulated deadline April 14, considering the worsening situation of Covid-19 pandemic. After having discussion with the concerned

read more

Inside Turkey’s incredible underground city

It’s a landscape that looks almost alien. Soft tufa rock — spewed from volcanoes millennia ago to create a series of ethereal “fairy chimneys” that have been shaped and sculpted

read more

Ancient mummies to parade through streets of Cairo

Ancient mummies of Egypt’s royal pharaohs will emerge from their resting places this weekend and parade through the streets of Cairo in search of a new home. What sounds like

read more

Beloved and prolific author of children’s books Beverly Cleary dies at 104

With witty yet economic prose and a gift for recalling the inner emotions of childhood, Beverly Cleary wove timeless tales that took young readers back to the Portland, Ore., of

read more

‘Unseen’ Vincent Van Gogh painting fetches £11m at auction

A Vincent Van Gogh painting of a Paris street that spent more than 100 years behind closed doors has fetched 13.09 million euros (£11.2m) at auction. Sotheby’s said the sale

read more

Archaeologists uncover 3,000-year-old gold mask in southwest China

The remains of a gold mask are among a huge cache of 3,000-year-old artifacts found at an archaeological site in China’s Sichuan province. Weighing about 280 grams (0.6 pounds) and

read more

10 literateurs get Bangla Academy Literary Award

Ten literateurs have received Bangla Academy Literary Award 2021, according to media report. They were given the awards in 10 categories at Bangla Academy in the capital on Thursday afternoon. Prime Minister Sheikh

read more

PM to open Amar Ekushey Book Fair today

The Amar Ekushey Book Fair, the country’s largest book festival, begins today at Bangla Academy and its adjacent Suhrawardy Udyan in the capital on Thursday maintaining health guidelines amid the

read more

France to return Klimt painting sold under duress during Nazi era

France is to return a painting by the Austrian artist Gustav Klimt to the heirs of the Jewish family that was forced to sell it by the Nazis. French culture

read more

The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

© All rights reserved © 2019 WeeklyBangladeshNY.Net
Theme Dwonload From ThemesBazar.Com