Fri, 19 Sep 2025, 06:21 pm
NewYork

Trump’s campaign of revenge: Two impeachment witnesses lose jobs

US President Donald Trump on Friday fired two of the highest profile witnesses in his impeachment probe, sparking accusations that he is on a campaign of revenge. Trump recalled his

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Trump acquitted by Senate in impeachment trial

US President Donald Trump has been cleared in his impeachment trial, ending a congressional bid to oust him from office that bitterly divided the US, reports BBC The Senate, run

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Trump hails ‘American comeback’ in annual speech

US President Donald Trump has hailed the “great American comeback” in a speech to Congress on the eve of his expected acquittal in his impeachment trial, reports BBC. At his

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77pc Canadians refuse to pay for Harry, Meghan’s security

A clear majority of Canadians feel their country does not have to pay for security for prince Harry and his wife Meghan Markle, who have settled in British Columbia. Seventy-seven

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London knife attacker identified as Sudesh Amman

A man shot dead by police after he stabbed people in south London had been released from prison in January. Sudesh Amman, 20, was released about a week ago after

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Brexit: UK prepares to leave European Union today

UK Prime Minister Boris Johnson will hail the “dawn of a new era” on Friday, as the UK prepares to leave the European Union on Friday, reports BBC. The UK

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Trump peace plan embraced in Israel, rejected by Palestinians

President Donald Trump’s long delayed Middle East peace plan won support in Israel on Wednesday but was bitterly rejected by Palestinians facing possible Israeli annexation of key parts of the

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Trump may visit India next month

US President Donald Trump is set to visit India between February 21 and February 24, with a day devoted to a joint public function with Indian Prime Minister Narendra Modi,

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Plane crashes in eastern Afghanistan: officials

A plane crashed in eastern Afghanistan’s Ghazni province Monday, officials said, but it was not immediately clear how many people were on board, or if it was a passenger or

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Record southeastern Brazil rainstorms kill 30

At least 30 people have been killed in two days of intense storms in southeastern Brazil, the Minas Gerais state Civil Defense office said Saturday. Seventeen people are also missing,

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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