Mon, 22 Sep 2025, 02:42 am
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Memphis disbands special police unit after fatal beating video

The United States’ city of Memphis on Saturday disbanded the special police unit whose officers fatally beat a young Black man, after graphic video of the assault sparked widespread shock

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Seven dead in two shootings in northern California

Seven people were killed and one critically injured Monday in two shootings in Half Moon Bay in northern California, US media reported. There was no immediate official confirmation of the

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NY court fines Trump Organisation $1.6m for tax fraud

A New York judge on Friday fined Donald Trump’s family business the maximum penalty possible of $1.6 million for committing tax fraud. The sum, paltry to the billionaire real estate

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Jill Biden has two cancerous growths removed

Doctors on Wednesday successfully removed two cancerous growths on the US first lady, Jill Biden, and she is now considered clear of danger, the White House physician said. Jill Biden,

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US president declares emergency in California as winter storms continue

U.S. President Joe Biden has declared an emergency in California as winter storms continue to pummel the most populous state in the country on Monday. According to a statement released

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‘Blizzard of the century’ leaves nearly 50 dead across US

Emergency crews in New York were scrambling Monday to rescue marooned residents from what authorities called the “blizzard of the century,” a relentless storm that has left nearly 50 people

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Heavy snow in Japan leaves 17 dead, dozens injured

Heavy snow in large swaths of Japan has killed 17 and injured more than 90 people and left hundreds of homes without power, disaster management officials said Monday. Powerful winter

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Deadly blizzard leaves US in Christmas weekend deep freeze

A fearsome winter storm continued to pummel parts of the United States with blizzard conditions Saturday evening after its powerful Arctic winds left over a million customers without power earlier

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New York returns nearly 200 looted antiquities to Pakistan

The Manhattan district attorney’s office has returned 192 looted antiquities with a value of nearly $3.4 million to Pakistan. District Attorney Alvin L. Bragg, Jr. announced the repatriation in a

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US Senate race: Democrat Mark Kelly wins Arizona

US President Joe Biden’s Democrats have inched closer to keeping control of the Senate, with a projected win in Arizona following the midterm elections. Three days after Americans voted, the

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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