Tue, 23 Sep 2025, 07:59 am
শিরোনাম :
The ancient civilisation that inspired US democracy ‘I don’t recognize my country,’ says Angelina Jolie DUCSU Polls: JCD demands accountability as allegations arise No security threats around Durga Puja celebrations: Home Adviser Six new political parties set to get EC registration Peru anti-govt protesters clash with police Not a rivalry anymore, Suryakumar says after beating Pakistan Metro rail service time to be increased by 1 hour on trial basis Incessant raining causes waterlogging in Dhaka Dhaka’s air turns ‘good’ due to heavy rainfall
Opinion

IMF and World Bank: legacy in flux

MULTILATERAL donors and lenders are international financial institutions that provide loans and other forms of financial assistance along with policy support for developing countries. The institutions, known as multilateral development

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Using mathematics in climate change models

CLIMATE change stands as one of the most pressing global challenges of the twenty-first century, with its impacts reverberating through both the natural environment and human societies. To understand, predict

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Economics of digital services

In a stunning development that shook North American trade diplomacy, President Donald Trump announced on Truth Social that the United States is ‘terminating ALL discussions on trade with Canada’ in

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Playing out a colonial tragedy

AT THE heart of the long-established structure of US foreign policy are powerful special interests (lobbies). Interests that are capable of substituting their parochial interest for national interest. The most

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Israel’s enduring pursuit of Palestinian disunity

ISRAEL is aggressively implementing plans to shape Palestine’s future and the broader region, sculpting its vision for the ‘day after’ its genocide in Gaza. The latest, bizarre iteration of this

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My AI guilt

THERE are certain things in our fast-changing world that occasionally give me a feeling of guilt, if not sinfulness. Artificial intelligence is one of them. This apologia is an account

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A recipe for geopolitical decline

THE July 7, 2025, letter from President Donald J Trump to Dr Muhammad Yunus, the chief advisor to the government of Bangladesh, reads like a familiar echo of an old,

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The ‘economy of genocide’ report: reckoning beyond rhetoric

FRANCESCA Albanese, the United Nations special rapporteur on the situation of human rights in occupied Palestine, stands as a testament to the notion of speaking truth to power. This ‘power’

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Follies of dumping US bonds

THE title is a deliberate intrigue, meant to evoke the inevitability of both Fallout and Fallin — a duality often at play in real-life events, particularly those with global repercussions.

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Is BRICS way forward?

After witnessing Cuba’s ailing economy in a recent visit, Asoka Bandarage looks beyond BRICS for an alternative to both authoritarian socialism and neoliberal capitalism I RETURNED to the US from Cuba just

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Special 49th BCS exam to be held on 10 Oct

How to apply for the UAE Green Visa for skilled workers

China’s victory in people’s war against fascism

JAGPA president injured in knife attack outside Gono Odhikar Parishad office

Left-leaning VP candidate loses candidacy in JUCSU polls

Unexpected incidents taking place in some univs, discussion for solution starts: Edn adviser

The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

A real chance for change in Sri Lanka

CA to hold meeting with 7 more political parties this afternoon

BMD predicts flashflood, multiple low pressures in September across Bangladesh

Mohammad Hamiduzzaman MD, Chairman, Editorial Board

M. Abid Rahman, Editor

A K Azad, Bangladesh Bureau Chief

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