Tue, 23 Sep 2025, 02:16 am
Opinion

Golden Jubilee of Independence and Bangladesh in Regional Leadership

Influenced by the achievements of the regional organisations in other parts of the world, like the EEC, ASEAN, GCC, etc., particularly the development of political and economic relations between the

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Chevron’s six ways to imperil climate, rights, racial justice

ALTHOUGH we’re barely one quarter into 2021, multiple forces are squeezing Chevron for the preventable harm it is inflicting on the global climate. The company is also being dragged for

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Stringent Enforcement of Lockdown – the Only Alternative

The situation of Covid-19 has exacerbated further in Bangladesh in the last three weeks as over 6000 patients have been diagnosed Corona positive in each of the past few days.

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Two Men . . . And Their Trek to Mujibnagar

On the fearful night of 25 March 1971, two men set out on a long, tortuous trek in search of destiny. Tajuddin Ahmad and Barrister Amir-ul Islam walked through the

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Looking beyond Golden Jubilee Celebration

The Golden Celebration of Bangladesh’s independence, which began amidst Covid-19 pandemic on 17th March 2021 ended on 27th March 2021 with a big success. Those who attended the ten day

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Will Awami League turn Awami Muslim League?

“Islam and Muslim”, the religious terms, cannot be abused as tools of fooling people. Bengali Muslims have good faith in the religion but they will not be politically exploited. (Page

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Bangladesh: 50 Years and Beyond

This year is the 50th year of the independence of Bangladesh which was achieved with great struggle and sacrifices of the people. In the course of the war, 3 million

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Bangladesh: 50 Years and Beyond

This year is the 50th year of the independence of Bangladesh which was achieved with great struggle and sacrifices of the people. In the course of the war, 3 million

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Bangladesh’s New Beginning at 50 Years of Independence

March 2021 marks the birth centenary of the Father of the Nation and the golden jubilee of the country’s independence. The country has attained phenomenal success in numerous fields over

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Adoption of first Five-Year Plan

As indicated in the last piece of this column, Bangabandhu was an eternal optimist and could see far enough even while standing on the ashes of the war of liberation.

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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