Fri, 19 Sep 2025, 02:28 am
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6 killed, 20 injured in India road crash

Six people have been killed and 20 others injured in a head-on collision between a tractor-trolley and a speeding truck in the western Indian state of Rajasthan, police said on

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Kerala man fell from terrace, dramatic save by older brother

A man in Kerala escaped unhurt after falling from his terrace as his elder brother caught him moments before he hit the ground. In CCTV footage widely shared on social

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Rahul Gandhi detained by Delhi Police

Congress leader Rahul Gandhi was on Tuesday detained by the Delhi Police after he sat in protest with other parliamentarians against the Central government in between Parliament House and the

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Sonia Gandhi being questioned in corruption case

Sonia Gandhi, the president of India’s opposition Congress party, is being questioned by a government agency in connection with a corruption case. She and her son Rahul Gandhi have been

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India orders health screening at ports, airports to minimise risk of monkeypox

The Indian health ministry has ordered health screening of all international passengers arriving in India at airports and ports to minimise the risk of importation of monkeypox cases into the

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Voting for Indian Presidential polls ends, counting on July 21

The voting process for election of India’s next President ended this afternoon as lawmakers of both the houses and legislative assemblies cast their votes for the country’s 15th President. The

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Schoolchildren among 16 killed as bus falls into gorge in India

A private bus fell into a gorge in Himachal Pradesh’s Kullu district of India on Monday, leaving 16 people, including schoolchildren, dead, a senior official said. Kullu Deputy Commissioner Ashutosh

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Sonia Gandhi stable, recovering well: Hospital Sources

The health condition of Congress President Sonia Gandhi, who was admitted to Sir Ganga Ram Hospital here on Sunday is now “stable and is recovering well”, hospital sources told media.

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Sonia Gandhi in hospital due to Covid issues, party says condition stable

New Delhi: Congress chief Sonia Gandhi has been admitted to a hospital in Delhi because of Covid-related issues, the party announced on Sunday, adding that she was stable and under

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12 people killed, 21 injured in explosion at factory in India

At least 12 workers died and 21 were injured when a boiler exploded at a factory in western Uttar Pradesh’s Hapur district of India on Saturday afternoon, officials said. There

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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