Mon, 22 Sep 2025, 10:32 pm
Sports

The template that didn’t work for Tigers

To South Africa, the win at Mirpur in the first Test against Bangladesh was special. When you win on the sub-continent for the first time in 10 years, it should

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‘Happy but not proud’

Bangladesh left-arm spinner Taijul Islam said on Monday that he is happy to get 200 Test wickets but added that he is not looking too far ahead considering he is

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Mahmudullah announces T20 retirement

Former Bangladesh captain Mahmudullah is set to retire from T20Is at the end of their three-match series against India. He revealed the decision during a pre-match press conference in New

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Masood, Abdullah centuries lift Pakistan

Skipper Shan Masood and opener Abdullah Shafique both cracked centuries as Pakistan scored an impressive 328-4 on the opening day of the first Test against England in Multan on Monday.

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Lewandowski’s quickfire hat-trick powers Barca to victory

Robert Lewandowski’s 26-minute hat-trick steered La Liga leaders Barcelona three points clear of Real Madrid with an emphatic 3-0 win at Alaves on Sunday. The Polish striker reached 10 goals

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Madrid beat Villarreal to level Liga leaders Barca

Fede Valverde and Vinicius Junior strikes helped Real Madrid bounce back from their first defeat since January with a 2-0 win over Villarreal on Saturday in La Liga. Los Blancos

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Pogba’s drug ban cut to 18 months from four years

French international footballer Paul Pogba’s four-year ban for doping has been reduced to 18 months, a spokesperson from the Court of Arbitration for Sport said on Friday. ‘I can confirm

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Bangladesh hope to make it memorable this time

Bangladesh are eager to make the ninth edition of the ICC Women’s T20 World Cup meaningful and memorable despite winning only a single game in the past four editions as

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Bangladesh prevail over Pakistan

Bangladesh women’s team secured a 23-run win against their Pakistan counterparts in their second and final warm-up match ahead of the ICC Women’s T20 World Cup, starting in the United

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India declare at 285-9, lead Bangladesh by 52

India declared their first innings on 285-9, a lead of 52 runs on day four of the rain-hit second Test against Bangladesh on Monday as they try to force a

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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