Tue, 23 Sep 2025, 09:46 am
Sports

Gutsy India bounce back to skittle Australia in second Test

A resilient India bounced back from their embarrassing first Test exploits to bundle out Australia for just 195 and take a grip on a riveting opening day of the second

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Australia look to pile misery on Kohli-less India in Melbourne

Coach Justin Langer said the mark of a great team was to keep winning as he threw down a challenge to Australia Thursday against a depleted India desperate to restore

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England cricketers exempt from UK travel ban, says Sri Lanka

The England team will be allowed to fly to Sri Lanka despite flights from Britain being suspended because of a new coronavirus strain, the island’s cricket authorities said Wednesday. England are due

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Cristiano Ronaldo receives Golden Foot Award

Cristiano Ronaldo has received the 2020 Golden Foot Award, which is handed out by the World Champions Club to players over the age of 28 who have had a successful

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How many goal landmarks left for Lionel Messi?

Lionel Messi reached a new landmark Saturday by scoring his 643rd goal for Barcelona, equalling the record held by Pele for goals recorded for the same club, but who is

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India slump to lowest ever score as Australia clinch first Test

A devastated India crashed to their lowest ever score of 36 on Saturday as Australia ran riot to win the opening Test in Adelaide by eight wickets after Josh Hazlewood

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Lionel Messi named as 2020’s Champion for Peace

Barcelona captain Lionel Messi was crowned with a new international award, before the end of 2020.Messi won the Peace Champion Award at the 2020 Peace and Sports Awards, which are

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Dhaka bats first in crucial 2nd Qualifier game against Chattogram

In a match, that is crucial to move to the final of the Bangabandhu T20 Cup, Beximco Dhaka captain Mushfiqur Rahim won the toss and elected to bat first against

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Jamieson strikes to put West Indies on brink of series defeat

The towering figure of New Zealand all-rounder Kyle Jamieson continued to dominate the second Test against the West Indies as the tourists went to tea in Wellington on Sunday at

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Jamieson’s five leave West Indies reeling

Kyle Jamieson bagged five wickets in a masterclass of swing bowling as New Zealand struck hard and fast to have the West Indies on the ropes on day two of

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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