Tue, 23 Sep 2025, 09:45 am
Sports

Bangabandhu T20 players draft on Nov 12

The player’s draft for the upcoming Bangabandhu T20 Cup that will be played by five leading corporate houses of the country, will commence on November 12, Bangladesh Cricket Board announced

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Maradona sedated to help ease recovery from alcohol dependency

Argentina soccer great Diego Maradona has been sedated by doctors to help him cope with withdrawal symptoms from alcohol dependency, his personal doctor said on Friday. Alfredo Cahe said Maradona,

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I feel relieved: Shakib

Bangladesh all-rounder Shakib Al Hasan insisted that he is relieved that his ban is finally over and added that he is ready to take time to prepare himself for competitive

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Messi scores as Barcelona struggle past Dynamo Kyiv

Barcelona registered three wins from three in the Champions League as they beat a depleted Dynamo Kyiv to go top of Group G. Lionel Messi scored from the penalty spot

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Maradona admitted to hospital in Argentina

Argentine football great Diego Maradona was admitted to hospital Monday for medical checks, his personal doctor announced. “It’s not a serious situation and we didn’t come for an emergency,” Leopoldo

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Mbappe on target as PSG win without injured Neymar

Kylian Mbappe scored from the penalty spot as Paris Saint-Germain eased to their seventh straight Ligue 1 win on Saturday, beating Nantes 3-0 away to move provisionally three points clear

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Gayle passes 1,000 T20 sixes, misses century by one run

Chris Gayle went past 1,000 T20 sixes on Friday but missed another of his trademark quickfire centuries by one run as his King’s XI Punjab were beaten by Rajasthan Royals

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Rashford scores hat-trick as Man Utd smash Leipzig 5-0 in Champions League

Super sub Marcus Rashford scored a clinical second-half hat-trick as Manchester United ripped German league leaders RB Leipzig apart on Wednesday to seize control of their Champions League group. Mason

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Warner, Saha help Hyderabad stay afloat in IPL race

Skipper David Warner and Wriddhiman Saha struck blazing half-centuries on Tuesday as Sunrisers Hyderabad thrashed Delhi Capitals by 88 runs to keep their Indian Premier League play-off hopes alive. Warner

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Kapil Dev discharged from hospital

Kapil Dev, India’s first World Cup-winning captain, was discharged from a city hospital on Sunday, two days after undergoing angioplasty following complaints of chest pain and uneasiness, reports ESPNCricinfo. The Fortis Escorts

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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