Tue, 23 Sep 2025, 11:16 am
Sports

Pakistan restrict Bangladesh to 136/6 in must-win second T20I

Pakistan restricted Bangladesh to 136-6 in the second T20I at Gaddafi Stadium in Lahore, Pakistan courtesy brilliant bowling performance by the bowlers. Mohammad Hasnain was the pick of the bowlers

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Tigers face off Pakistan in first T20 amid unprecedented security

Leaving the security concerns behind them, Bangladesh is determined to come all guns blazing as they take on Pakistan for the first of three-match T20 Internationals on Friday at the

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Bangabandhu Gold Cup: Booters to face Burundi in semi clash this afternoon

Hosts Bangladesh will face upper-ranked Burundi in the high-voltage second semifinal of Bangabandhu International Gold Cup Football Tournament on Thursday. The match will kick-off at 05:00pm at Bangabandhu National Stadium

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Below-par Serena fends off Zidansek to reach Melbourne third round

Serena Williams admitted she was frustrated and not at her best as she fought off a stubborn Tamara Zidansek to reach the Australian Open third round on Wednesday. The American

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Bangladesh can do well in Pakistan despite security fears, says coach Russell Domingo

Coach Russell Domingo said Bangladesh would perform well in Pakistan despite security concerns overshadowing the tour starting later this month, with several players and coaching staff refusing to make the

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Bangladesh to face Scotland on Tuesday

Bangladesh Under-19 cricket team is set to face Scotland on Tuesday in their second game of the ongoing ICC Under-19 World Cup in South Africa. In the rain-interrupted first match,

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Three points but no revolution in Setien’s Barca debut

A Leo Messi goal 15 minutes from time gave Quique Setien a win in his first game as coach of FC Barcelona as Barca beat Granada 1-0 in the Camp

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Rajshahi Royals clinch maiden BPL title beating Khulna Tigers

Rajshahi Royals emerged as the champion of Bangabandhu Bangladesh Premier League (BPL) beating Khulna Tigers by 21 runs at Sher-e-Bangla National Cricket Stadium on Friday. Mushfiqur Rahim-led Khulna Tigers won

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87-year-old superfan of Indian cricket passes away

Charulata Patel, the 87-year old lady who garnered overnight attention all across India during the 2019 cricket world cup passed away on January 13. The superfan was the toast of

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Full list of ICC award winners for the year 2019

The International Cricket Council (ICC) announced the list of winners for their annual awards for the year 2019. England all-rounder Ben Stokes won the prestigious Sir Garfield Sobers trophy for

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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