Tue, 23 Sep 2025, 10:47 am
Sports

Australia women arrive in Dhaka for historic bilateral series

Australia’s women’s cricket team arrived in Dhaka on Sunday for a historic bilateral series against Bangladesh, marking the first time these two teams will compete in such a series ahead

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Pakistan to host ODI tri-series after 20 years

Pakistan’s Cricket Board said on Friday it will host South Africa and New Zealand in a one-day international tri-series, the country’s first tournament involving three nations after a gap of

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Ton-up Najmul seals comfortable win for Tigers

Skipper Najmul Hossain Shanto struck a scintillating unbeaten hundred after the pacers showcased a brilliant performance with the ball as Bangladesh beat Sri Lanka by six wickets during the three-match

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Tigers focusing on ODI comeback

Bangladesh skipper Najmul Hossain Shanto said on Tuesday that they are not losing their sleep for their recent bad patch in the 50-over format and they want to make a

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Carey’s 98 drags Australia home in New Zealand Test thriller

An unbeaten 98 from Alex Carey dragged Australia to victory over New Zealand by three wickets in a thrilling second Test on Monday to give the tourists a 2-0 sweep

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Giakoumakis hits hat-trick as Atlanta crush New England

Greek striker Giorgos Giakoumakis hit a second half hat-trick as Atlanta United crushed the New England Revolution 4-1 in Major League Soccer on Saturday. There was last-minute drama as stoppage

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Bangladesh opt to bowl in Sri Lanka T20 decider

Bangladesh captain Najmul Hossain Shanto won the toss and elected to bowl in the third and final Twenty20 against Sri Lanka with Saturday’s victor to claim the series. Sri Lanka

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‘Clinical’ Bangladesh level T20 series

Najmul Hossain Shanto struck a brilliant unbeaten fifty to help Bangladesh level the series against Sri Lanka after the hosts clinched an eight-wicket win during the second T20I at the

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Bangladesh to bounce back in 2nd T20

Bangladesh is determined to rebound in the second T20 of the three-match series against Sri Lanka after a heartbroken defeat in the first game. The match will kick off at

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Bairstow under pressure in 100th Test after lean India series

Struggling England batsman Jonny Bairstow looks to be fighting to save his Test career when the fifth and final match against India begins in Dharamsala on Thursday. Bairstow will win

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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