Tue, 23 Sep 2025, 10:56 am
Sports

Mashrafe surprises with spin in Abahani defeat

Former Bangladesh captain Mashrafe Bin Mortaza shocked the country’s cricket fraternity on Sunday by bowling off-spin instead of pace while playing for Legends of Rupganj in the ongoing Dhaka Premier

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New Zealand win toss and bat as Pakistan’s Azam plays 100th ODI

New Zealand skipper Tom Latham won the toss and opted to bat Sunday in the fifth and final one-day international against Pakistan in Karachi. The match is Pakistan skipper Babar

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Messi says ‘sorry’ to PSG

Lionel Messi on Friday apologised for going on an unauthorised trip to Saudi Arabia that led to Argentina’s World Cup-winning captain being suspended by his club Paris Saint-Germain. ‘I want

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Babar Azam becomes fastest to 5,000 ODI runs

Pakistan skipper Babar Azam on Friday became the fastest batter to complete 5,000 one-day international runs during the fourth match against New Zealand in Karachi. The 28-year-old beat South African

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‘Overwhelmed’ Osimhen will never forget Napoli’s title triumph

Victor Osimhen said Thursday that he will never forget winning Napoli’s first Serie A title in over three decades after his goal finally pushed southern Italy’s biggest club over the

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Argentina’s Bangladesh visit cancelled due to venue problem

The world champions Argentina national football team will not be visiting Bangladesh to play a friendly match in Dhaka in June as the venue of the match will not be

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Mosaddek leads Abahani to win against Mohammedan

Captain Mosaddek Hossain came up with sterling all-round performance as Abahani Limited edged traditional rivals Mohammedan Sporting Club past by 8 runs in their first match in the Super League

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David leads Mumbai to win in 1,000th IPL match despite Jaiswal ton

Tim David smashed an unbeaten 45 to trump Yashasvi Jaiswal’s century as Mumbai Indians stunned Rajasthan Royals by six wickets in the Indian Premier League’s 1,000th match on Sunday. Chasing

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City back at the summit

Record-breaker Erling Haaland was on target again as reigning champions Manchester City returned to the top of the Premier League table with a 2-1 win over Fulham on Sunday. Victory

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Lamine Yamal becomes Barca’s youngest ever La Liga player

Barcelona brought on 15-year-old forward Lamine Yamal in their 4-0 win over Real Betis on Saturday to make him their youngest ever player in La Liga. The Catalan club said

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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