Tue, 23 Sep 2025, 10:03 am
Sports

West Indies Cricketers Lendl Simmons, Denesh Ramdin announce retirement

Former West Indies skipper Denesh Ramdin announced his retirement from international cricket with immediate effect on Monday. Ramdin played his last match for West Indies in a T20I in December

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Pakistan’s Nawaz relishing Test return with ‘dream’ five-wicket haul

Pakistan all-rounder Mohammad Nawaz said Monday that his maiden five-wicket haul on return to Test cricket was a “dream” performance he aimed to repeat. The 28-year-old Nawaz, who played just three Tests

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Kings remain King for 3 in a row

The top Bangladeshi outfit Bashundhara Kings made a new history when they secured the top tier professional football league title Bangladesh Premier League for the third consecutive time on Monday.

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Taijul in five-wicket return as Bangladesh sweep past West Indies

Taijul Islam made a triumphant return to One-Day International cricket with his first five-wicket haul as Bangladesh completed another series sweep of the West Indies, winning the third and final

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Bangladesh win toss, bowl in 3rd ODI against West Indies

Bangladesh skipper Tamim Iqbal won the toss and elected to field against West Indies in the third ODI at the Providence Stadium, Guyana on Saturday. Bangladesh XI: Tamim Iqbal (C),

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Tamim hints fab four’s retirement after 2023 World Cup

Bangladesh captain Tamim Iqbal came up with a clue that the four senior players, including him may retire from the ODI format after the 2023 Men’s 50-over World Cup in

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Bangladesh go 2-0 up to win ODI series against West Indies

Dhaka, Jul 13: Left-arm spinner Nasum Ahmed won the player of the match award in his second ODI match, as Bangladesh beat the West Indies by nine wickets to win the

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Bangladesh chose to field against West Indies in 2nd ODI

Bangladesh Captain Tamim Iqbal got another favour of luck, winning the toss in the second ODI against West Indies and sent them to bat first on a slow pitch at

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Bhuvi, Jadeja help India seal England T20 series

India made wholesale changes to their playing eleven, bringing all their all-format players back, but importantly didn’t deviate from their shiny no-holds-barred batting approach. They stumbled on the way to

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Di Maria arrives in Turin for Juventus move

Angel Di Maria landed in Turin on Thursday night ahead of his move to Juventus after being released by Paris Saint-Germain at the end of last season. Argentina winger Di

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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