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Mississippi faces more extreme weather after tornado kills 25

Storm-ravaged Mississippi struggled on Sunday with the aftermath of a huge tornado that tore across the southern US state, killing at least 25 people, with devastated communities bracing for a

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UK King Charles eyes continuing strong, close partnership with Bangladesh

King of the United Kingdom (UK) Charles III had said he looks forward to the continuing warm friendship and the strong and close partnership between the two countries, including as

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UK Foreign Secretary says attack on Indian High Commission ‘unacceptable’

UK Foreign Secretary James Cleverly responded to the attack on Indian High Commission and called the attack by the Khalistani elements “unacceptable” in a statement on Thursday. Cleverly said in

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New York holds breath over expected Trump indictment

With barricades set up near Trump Tower and police on high alert, New York was holding its breath Wednesday for the likely indictment of Donald Trump, but the timing remained

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UK, Ukraine sign digital trade deal to aid post-war reconstruction

Britain signed a digital trade deal with Ukraine on Monday granting the war-torn country access to financial services “crucial” for its reconstruction efforts. The deal facilitates cross-border data flows between

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‘I’M BACK!’: Trump returns to Facebook after reinstatement

Former President Donald Trump has returned to Facebook after a more than two-year ban. “I’M BACK!” Trump posted on the site weeks after his personal account was reactivated. Trump, who

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Biden invites British PM Sunak to White House

President Joe Biden on Monday invited British Prime Minister Rishi Sunak to the White House in June. The invitation came during a meeting between Biden and Sunak in San Diego,

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California scrambles to fix levee as another storm looms

Emergency workers scrambled Monday to stabilise a California levee after a breach forced thousands from their homes, as another major storm loomed, threatening more flooding. Houses were inundated and vehicles

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US jobs data shows economy ‘moving in the right direction:’ Biden

US President Joe Biden on Friday said the US economy is on the mend, with inflation gradually being tamed, and healthy employment data showing Americans are regaining optimism. “Our economy

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Biden hails ‘rock solid’ Nato as Putin blames West for Russia’s war

Vladimir Putin has sharpened his vitriol towards the West as President Joe Biden, fresh from a visit to Kyiv, praised Western democracy for standing up to naked Russian aggression, reports

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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