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America

Biden “committed to strengthening” ties with Bangladesh

US President Joe Biden and Secretary Antony J. Blinken are “committed to strengthening” the Dhaka-Washington relationship as the two countries address common challenges, says a senior US official. The two countries address

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Covid: Half of UK has antibodies from vaccination or infection

Roughly half of people in the UK now have antibodies against Covid-19, either through infection or vaccination, tests conducted by the Office for National Statistics (ONS) show. Most of this

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Car bomb wounds 19 in Western Colombia

A car bomb exploded in a town in western Colombia Friday, wounding 19 people amid an increase in violence in some of the country’s rural regions. Officials said the blast

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North Korea missiles: Biden says launch ‘not provocation’

US President Joe Biden has said he does not consider North Korea’s launch of short-range missiles – the first since he took office – a provocation. Mr Biden added that

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Biden stumbles several times while boarding Air Force One

US President Joe Biden stumbled twice and then fell while running up the steps of Air Force One on Friday but it was “nothing more than a misstep on the

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Bangladesh made remarkable progress in 50 yrs: Canadian PM

Canadian Prime Minister Justin Trudeau has said Bangladesh has gone through a remarkable socio-economic development in the last 50 years. “During this time economic growth has increased, poverty has decreased,

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Donald Trump’s wealth takes tumble during presidency

Donald Trump’s net worth dropped by about $700m to $2.3bn (£1.65bn) during his time as president, according to the Bloomberg Billionaires Index. The Covid-19 pandemic hit his fortunes hard, with

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US, Japan warn against ‘destabilising behaviour’ by China

US and Japanese foreign and defence ministers warned Tuesday against “coercion and destabilising behaviour” by China after top-level talks in Tokyo. Pentagon chief Lloyd Austin and Secretary of State Antony Blinken are

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Meghan Markle and Prince Harry drop royal monogram on their Archewell logo

Prince Harry and Meghan Markle have replaced their Sussex Royal logo with their new Archewell logo as revealed by a letter they sent to a London school that the Duchess

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2 killed, 15 people shot in Chicago mass shooting

Gunfire erupted at a party on Chicago’s South Side early Sunday, killing two people and wounding 13 others, authorities said. Officers responded at around 4:40 a.m., police spokesman Jose Jara

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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