Mon, 22 Sep 2025, 01:51 am
America

Judge puts Trump’s foreign student ban at Harvard on hold

A judge suspended Friday the Trump administration’s move to block Harvard from enrolling and hosting foreign students after the prestigious university sued, calling the action unconstitutional. On Thursday, Homeland Security

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Two Israeli Embassy staff shot dead near Jewish Museum in Washington

Two Israeli embassy staff members were shot and killed Wednesday evening near the Capital Jewish Museum in Washington, DC, according to Homeland Security Secretary Kristi Noem. Noem confirmed the incident

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Trump ambushes S. African president over genocide accusation

President Donald Trump ambushed South African counterpart Cyril Ramaphosa on Wednesday by playing him a video that he claimed proved genocide is being committed against white people, driving farmers to

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Trump signs new law to combat revenge porn, deepfake abuse

US President Donald Trump signed a bill on Monday making it a federal crime to post ‘revenge porn’ — whether it is real or generated by artificial intelligence. The ‘Take

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Trump calls to probe Kamala celebrity endorsements

US president Donald Trump said Monday he would launch a ‘major investigation’ into his 2024 election rival Kamala Harris over celebrities who backed her failed run for the White House.

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UK forges new ties with EU in post-Brexit era

Britain and the European Union on Monday reached a landmark deal setting out closer ties on defence and trade, launching a new chapter after the UK’s acrimonious exit from the

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What we know about Biden’s prostate cancer diagnosis

Former US President Joe Biden has been diagnosed with an aggressive form of prostate cancer that has spread to his bones. Biden received the news on Friday after he saw a doctor last

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Trump says ‘getting close’ to deal with Iran; oil prices tumble

US President Donald Trump said Thursday a deal was close on Iran’s nuclear programme that would avoid military action, sending oil prices tumbling as he boasted of raising “trillions of

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Trump presses Syria leader on Israel ties after lifting sanctions

US president Donald Trump asked Syria’s new leader on Wednesday to normalise relations with Israel after he offered a major boost to the war-ravaged country by announcing the lifting of

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77 Nobel laureates sign letter opposing RFK Jr. as Trump’s health secretary

Seventy-seven Nobel prize winners on Monday sent an open letter to the US Senate opposing the nomination of Robert F Kennedy Jr., president-elect Donald Trump’s choice for secretary of health

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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