Mon, 22 Sep 2025, 04:13 am
America

Georgia Senate races on a knife-edge in vote count

Elections in the US state of Georgia that will decide control of the Senate are too close to call amid a nail-biting ballot count. Republicans Kelly Loeffler and David Perdue

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UK blocks Assange’s extradition to US

A British judge ruled on Monday that WikiLeaks founder Julian Assange should not be extradited to the United States to face criminal charges including breaking a spying law, saying his

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Biden and Trump rally Georgia voters on eve of poll

In duelling rallies, President Donald Trump and President-elect Joe Biden have implored Georgia voters to turn out for elections on Tuesday that will decide which party controls the Senate.  

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Trump heard on tape urging state official to ‘find’ votes for him

President Donald Trump pressured Georgia’s top election official, a fellow Republican, in an extraordinary phone conversation to “find” enough votes to overturn Joe Biden’s victory in the Southern state, US

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Brexit: New EU trade arrangements to begin after Parliament vote

The post-Brexit trade deal between the UK and EU takes effect at 23:00 GMT on Thursday, after it was signed into law. Parliament overwhelmingly backed the agreement in a high-speed

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First US Congressmember dies of Covid-19

A representative-elect from Louisiana died of Covid-19 Tuesday, the first member of the US Congress to succumb to the disease. Republican Luke Letlow, 41, had been elected to Louisiana’s 5th

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UK records over 50,000 COVID-19 cases overnight

Britain recorded more than 50,000 coronavirus cases overnight for the first time since the outbreak of the COVID-19 pandemic in the world, according to official figures released Tuesday. Another 53,135

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AstraZeneca/Oxford Covid vaccine approved for use in UK

A coronavirus vaccine developed by drug firm AstraZeneca and Oxford University has been approved for use in Britain, the government said Wednesday, adding the mass rollout will start on January

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Covid-19: US reports first known case of highly-infectious variant

The first reported US case of the highly-infectious Covid-19 variant that emerged in the UK has been confirmed in the state of Colorado. The patient, a man in his 20s

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Britain faces major Brexit challenges after last-minute deal

Britain is set for a new chapter Friday after securing a hard-fought post-Brexit trade deal with the European Union as EU envoys gathered to discuss an accord reached only after

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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