Tue, 23 Sep 2025, 09:55 am
America

Two planes collide mid-air in US, 8 feared dead

At least eight people are believed to be dead after two airplanes collided and crashed into a lake in the US state of Idaho on Sunday afternoon.  The two planes

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Fourth of July: Trump vows to defeat ‘radical left’ in Independence Day speech

US President Donald Trump has used a 4 July address to tout the country’s “progress” against Covid-19, despite a nationwide spike in cases. Amid criticism of his handling of the

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Coronavirus: US death toll rises to 132,318

United States has reported 132,318 deaths from coronavirus at 14:15 pm till Sunday (Bangladesh Time), according to latest data from worldometer. So far, 29,35,982 people have tested positive with coronavirus till date in the

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Coronavirus: US death toll rises to 132,101

United States has reported 132,101 deaths from coronavirus at 14:15 pm till Saturday (Bangladesh Time), according to latest data from worldometer.   So far, 28,90,588 people have tested positive with coronavirus till date in

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US targets Monet and Warhol artworks in 1MDB case

US prosecutors will try to seize another $96m (£77m) in assets from the fugitive financier known as Jho Low. The assets sought by the the Department of Justice (DOJ) include

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Trump approves cutting 9,500 troops in Germany: Pentagon

Pentagon spokesman Jonathan Hoffman said the move, which has sparked concerns in Berlin and in the NATO alliance, is to redeploy the troops and will “enhance Russian deterrence, strengthen NATO,

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New York expands list of states subject to COVID-19 quarantine

New York on Tuesday doubled to 16 the number of US states whose residents must go into quarantine if they visit, Governor Andrew Cuomo said amid surging coronavirus infection rates.

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Coronavirus: Fauci warns of 100,000 US cases per day

Top disease researcher Dr Anthony Fauci has told the US Senate that he “would not be surprised” if new virus cases in the country reach 100,000 per day. “Clearly we

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US Supreme Court rejects key challenge to abortion rights

The US Supreme Court on Monday struck down a Louisiana law that tightly restricted access to abortion in the first constitutional test of abortion rights since President Donald Trump named

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Coronavirus: US death toll rises to 128,783

The United States reported 128,783 deaths from coronavirus till Tuesday (BDT 14:07 pm), according to latest data from worldometer.   So far, 26,81,811 people have tested positive with coronavirus till date in the country,

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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