Mon, 22 Sep 2025, 07:09 pm
World News

Indian Covid-19 variant found in 44 countries, all regions: WHO

The World Health Organization said Wednesday that a variant of Covid-19 behind the acceleration of India’s explosive outbreak has been found in dozens of countries all over the world. The

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Global Covid-19 cases near 159 million

The Covid-19 pandemic continues to devastate countries across the world, as cases approach 159 million. According to Johns Hopkins University (JHU), the total Covid caseload reached 158,616,717 while the death

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Israel airstrikes kill 20 including 9 children in Gaza, Palestinians say

The Hamas militant group on Monday launched a rare rocket strike on Jerusalem after hundreds of Palestinians were hurt in clashes with Israeli police at an iconic mosque, as tensions

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At least 11 killed as roadside bomb hits bus in Afghanistan

A roadside bomb struck a bus in Afghanistan overnight killing at least 11 people just hours before the Taliban announced a three-day ceasefire to mark this week’s Eid al-Fitr holiday,

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Global Covid-19 cases near 158 million

With the frantic effort to stem the spread of Covid-19 cases across the world, many people are still being infected with the virus and there is no sign of getting

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India sees 366,161 Covid-19 cases as tally tops 22.6 mn, daily deaths below 4k

India’s tally of cases of the coronavirus disease (Covid-19) has reached 22,662,575 as data from the Union ministry of health and family welfare (MoHFW) showed on Monday morning that 366,161

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Kabul school blasts death toll rises to 58

The toll from blasts targeting a school in Afghanistan’s capital Kabul on Saturday has risen to 58 dead and more than 150 injured, many badly, a security official said. The

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India’s Covid-19 tally tops 22 million with 403,738 new cases, 4,092 fresh fatalities

The coronavirus (Covid-19) pandemic continued to worsen in India as the trajectory maintained an upward trend. On Sunday, the nation added 403,738 to its tally as the national capital Delhi

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Global Covid-19 cases surpasses 157 million

Amid mass inoculation drive in many countries, Covid-19 cases crossed 157 million across the globe. According to the data compiled by Johns Hopkins University (JHU), the total case count reached

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Chinese rocket debris crashes into Indian Ocean – Chinese media

Debris from a Chinese rocket that had been hurtling back towards Earth has crashed into the Indian Ocean, China says. The bulk of the rocket was destroyed during the re-entry,

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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