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World News

Coronavirus: WHO chief criticises ‘shocking’ global vaccine divide

The World Health Organization (WHO) Tedros Adhanom Ghebreyesus has criticised what it describes as a “shocking imbalance” in the distribution of coronavirus vaccines between rich and poor countries. The group’s

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Prince Philip passes away

Prince Philip, Queen Elizabeth II’s husband, has died aged 99, Buckingham Palace has announced. The prince married Princess Elizabeth in 1947, five years before she became Queen, and was the

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Terrorist propaganda in cyberspace: Emerging trends and innovation in policy-making

“National law has no place in cyberlaw. Where is cyberspace? If you don’t like banking laws in the United States, set up your machine on the Grand Cayman Islands. Don’t

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Covid-19: PM for balancing livelihoods and public health

Prime Minister Sheikh Hasina on Thursday said livelihood activities need to be continued maintaining health hygiene amid the coronavirus pandemic. “The lives and livelihoods of people should go on. We

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PM Modi takes 2nd dose of Covid vaccine at AIIMS, Delhi

Prime Minister Narendra Modi on Thursday took the second dose of the Covid-19 vaccine at the All India Institute of Medical Sciences (AIIMS) in New Delhi. The Prime Minister took

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Myanmar ambassador to UK locked out of embassy

Myanmar’s ambassador in London says he has been locked out of his embassy. Kyaw Zwar Minn said staff were asked to leave the building by Myanmar’s military attaché and he

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Iran ship serving as Red Sea troop base near Yemen attacked

An Iranian cargo ship believed to be a base for the paramilitary Revolutionary Guard and anchored for years in the Red Sea off Yemen has been attacked, Tehran acknowledged Wednesday.

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Saudi Arabia announces two major green initiatives

The Kingdom of Saudi Arabia has launched two landmark initiatives to protect the planet by combating climate change, reducing land degradation and strengthening the Kingdom’s leadership for a green era.

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Saudi Arabia announces two major green initiatives

The Kingdom of Saudi Arabia has launched two landmark initiatives to protect the planet by combating climate change, reducing land degradation and strengthening the Kingdom’s leadership for a green era.

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Argentine president tests positive for Covid-19

Argentina’s President Alberto Fernandez, who has been vaccinated against Covid-19, announced late Friday that he had tested positive for the coronavirus. “At the end of today, after presenting a fever

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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