Tue, 23 Sep 2025, 10:29 am
World News

18 killed in Honduras during New Year’s Eve celebrations

The Honduran police said on Friday 18 people were killed in several violent incidents during New Year’s Eve celebrations. According to Deputy Inspector of the National Police Rigoberto Rodriguez, the

read more

Over 83.9m infected with COVID globally

COVID is continuing its spread across the world, with total cases crossing the 83.9 million mark on Saturday, according to Johns Hopkins University (JHU). The total caseload across the globe

read more

Global COVID-19 cases exceed 82 million

The global COVID-19 caseload crossed 82 million on Thursday amid reports of a new, more contagious coronavirus variant affecting a number of countries. Data compiled by Johns Hopkins University (JHU)

read more

IS bus ambush kills 37 soldiers in Syria: monitor

Islamic State group jihadists killed 37 soldiers when they ambushed a bus Wednesday in one of the deadliest attacks since the fall of their “caliphate” last year, a monitor said.

read more

Yemen airport blasts kill 26 as government plane arrives

At least 26 people were killed when explosions rocked Yemen’s Aden airport moments after a new unity government flew in, in what some officials charged was a “cowardly” attack by

read more

Nepal unity elusive, China delegation may return empty-handed

A Chinese delegation in Nepal, led by the Chinese Communist Party’s foreign affairs committee, may be forced to return to Beijing without the party unity they had sought to bring

read more

Global COVID-19 cases near 82 million

The global COVID-19 caseload reached 81.9 million on Wednesday amid reports of a new, more contagious coronavirus variant affecting a number of countries. Data compiled by Johns Hopkins University (JHU)

read more

Boko Haram landmines kill 11 Nigerian security personnel

Landmines planted by Boko Haram jihadists have killed 11 security personnel, including four soldiers in northeast Nigeria, security sources said Tuesday. Seven hunters recruited to help the military fight the

read more

Ohio police officer fired in fatal shooting of Black man

A white Ohio police officer was fired Monday after bodycam footage showed him fatally shooting 47-year-old Andre Hill — a Black man who was holding a cellphone — and failing

read more

Global Covid-19 cases surpass 80.7 million

More than 80.7 million people have been found infected with the Covid-19 with 1.7 million fatalities on Monday, according to the Johns Hopkins University (JHU). The total case count reached

read more

The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

© All rights reserved © 2019 WeeklyBangladeshNY.Net
Theme Dwonload From ThemesBazar.Com