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Palestinians despair after UN declares famine in Gaza

Desperate Palestinians clutching pots and plastic buckets scrambled for rice at a charity kitchen in Gaza City on Saturday, a day after the United Nations declared a famine in the

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Major Russian drone and missile attack on Ukraine kills 1, injures 15

Russia launched one of its biggest aerial attacks this year at Ukraine, firing 574 drones and 40 missiles overnight, the Ukrainian Air Force said Thursday. The attack mostly targeted western

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Israel pounds Gaza City after offensive gets green light

Israel hammered Gaza City and its outskirts overnight, residents said Thursday, after the defence ministry approved an expanded offensive to target the remaining Hamas strongholds in the strip. The newly

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Israel pounds Gaza City after offensive gets green light

Israel hammered Gaza City and its outskirts overnight, residents said Thursday, after the defence ministry approved an expanded offensive to target the remaining Hamas strongholds in the strip. The newly

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Afghanistan bus crash death toll rises to 78

The death toll from a collision between a bus carrying Afghan migrants returning from Iran and two other vehicles in western Afghanistan has risen to 78, provincial officials said on

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Netanyahu accuses Macron of fueling antisemitism as France plans to recognise Palestinian state

A row between Israel and France over Paris’s plan to recognise a Palestinian state next month escalated to crisis level on Tuesday when prime minister Benjamin Netanyahu accused president Emmanuel

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Toll from Pakistan monsoon floods rises to 400

Rescuers and residents resumed searching on Tuesday for survivors as the death toll from five days of torrential rain rose to almost 400, with authorities warning monsoon downpours would continue

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Israel demands release of all hostages after Hamas backs new truce offer

A senior Israeli official on Tuesday said the government stood firm on its call for the release of all hostages in any future Gaza deal, after Hamas accepted a new

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Hopes for survivors wane after Pakistan flooding kills hundreds

Pakistani rescuers dug homes out from under massive boulders on Sunday as they searched for survivors of flash floods that killed at least 344 people, with more than 150 still

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Monsoon rains kill 199 in Pakistan

Landslides and flash floods triggered by heavy monsoon rains across northern Pakistan have killed at least 199 people in the past 24 hours, national and local officials said on Friday.

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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