Tue, 23 Sep 2025, 09:24 am
World News

‘High-risk mission’ delivers fuel to Al-Shifa Hospital in northern Gaza

The World Health Organization (WHO) and partners have delivered 19,000 litres of fuel to Al-Shifa hospital in northern Gaza, the UN agency said late on Tuesday. The “high-risk mission”, carried

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Six people killed commuter plane crash in Canada

Six people died when a small commuter plane carrying workers to a Rio Tinto mine in Canada’s icy far north crashed Tuesday shortly after taking off. The Australian mining giant

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N Korea fires cruise missiles towards Yellow Sea: Seoul

North Korea fired several cruise missiles towards the Yellow Sea on Wednesday, Seoul’s military said, the latest in a series of tension-raising moves by the nuclear-armed state. Pyongyang has accelerated

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Israel pressed on two-state solution

Gazans sheltered Monday from intense bombing and shooting in the city of Khan Yunis, as pressure built on Israel for an eventual two-state solution involving statehood long sought by Palestinians.

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Yemen’s Huthis warn US, UK strikes won’t go ‘unpunished’

Military strikes by the United States and Britain will not go “unpunished”, Yemen’s Huthi rebels warned on Tuesday, detailing 18 raids on their territory overnight. “These attacks will not go

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Israel proposes pause in fighting as part of hostage deal

Israel has proposed to Hamas via Qatari and Egyptian mediators a pause in fighting of up to two months as part of a deal to free all the hostages being

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Netanyahu rejects Hamas’s conditions for hostage release

Israeli Prime Minister Benjamin Netanyahu said on Sunday he had rejected conditions demanded by Hamas militants for the release of hostages, hours after the group released a report justifying its October 7

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Vietnam sentences nine to death for drug trafficking

Vietnam sentenced nine people to death and two others to life in prison on Monday for their involvement in a cross-border drug trafficking ring, state media reported. The Southeast Asian

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47 buried in China landslide

A total of 47 people were buried when a landslide struck a remote and mountainous part of southwestern China on Monday, state media reported. The pre-dawn landslide hit Zhenxiong County,

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India plans to fence off Myanmar frontier

India plans to erect a fence along its vast and porous frontier with Myanmar and will scrap a free movement border zone agreement, Indian media reported Sunday. The announcement by

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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