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Israel says 22 dead in ‘war’ after militants enter from Gaza

Palestinian militants had begun a “war” against Israel which they infiltrated by air, sea and land from the blockaded Gaza Strip on Saturday, Israeli officials said, a major escalation in

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Israel says at ‘war’ after barrages of rockets, extremist infiltration

Palestinian extremists have begun a ‘war’ against Israel, the country’s defence minister said on Saturday after a barrage of rockets were fired and fighters from the Palestinian enclave infiltrated Israel,

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6.3 magnitude earthquake hits western Afghanistan: USGS

A magnitude 6.3 earthquake hit western Afghanistan on Saturday morning, the United States Geological Survey said, with the epicentre close to the region’s largest city. The USGS said the epicentre

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Japan issues tsunami warning after 6.6-magnitude earthquake hit Izu Islands

Japan has issued a tsunami advisory, cautioning of a 1-meter tsunami threat to the islands located off the Izu Peninsula along the eastern coast of the country. This advisory comes

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10 dead, 82 missing in India’s glacial lake burst

The death toll from a devastating glacial lake burst that triggered a torrential flash flood in India has risen to at least 10 people, with 82 others still missing, officials

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Trio wins Nobel Prize in chemistry for their work on tiny quantum dots

The Nobel Prize in chemistry has been awarded to Moungi Bawendi, Louis Brus and Alexei Ekimov for their work on tiny quantum dots. Quantum dots are tiny particles, just a

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Names of Nobel chemistry winners possibly leaked: Sweden media

Swedish media outlets on Wednesday published what they reported were the seemingly leaked names of this year’s Nobel chemistry prize recipients, hours before the laureates were to be announced. Nobel

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Nobel Prize goes to scientists behind mRNA Covid vaccines

The Nobel Prize in Physiology or Medicine-2023 was awarded jointly to Katalin Kariko and Drew Weissman “for their discoveries concerning nucleoside base modifications that enabled the development of effective mRNA

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Turkey strikes PKK bases in Iraq after Ankara bombing

Turkish jets launched air strikes inside Iraqi Kurdistan late Sunday, after a blast earlier the same day injured two police officers near the parliament building in Ankara. In the hours

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At least 10 killed in Mexico church roof collapse

At least ten people, including three children, were killed and 60 more injured when the roof of a church came crashing down on a baptism in northeastern Mexico on Sunday, authorities said.

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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