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World News

Central Europe swelters as heatwave moves east

A punishing heatwave loosened its gripped on western Europe Wednesday and rolled eastwards, with Germany expected to record some of its hottest temperatures of the year so far. Germany’s national

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Iran suspends cooperation with IAEA

Iran formally suspended its cooperation with the UN nuclear watchdog on Wednesday, in the wake of unprecedented Israeli and US strikes on the Islamic republic’s nuclear sites. The war between

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Israel eyes peace accords with Syria, Lebanon

Israel said Monday it is ‘interested’ in striking peace agreements with neighbouring Lebanon and Syria, a potentially historic shift in the region after decades of war and animosity. With Syria

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Israeli forces kill 34 in Gaza as ceasefire momentum builds

Gaza’s civil defence agency said Israeli forces killed 34 people on Monday, including 11 waiting for aid, as momentum built behind a ceasefire push for the war-ravaged Palestinian territory. Israeli

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Zelensky signs decree to exit anti-landmine treaty

Ukraine’s president Volodymyr Zelensky on Sunday signed a decree putting his war-torn country on track to leave the anti-landmine Ottawa Convention, according to a document published on his website. The

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Iran holds state funeral for 60 martyred

Iran began a state funeral service on Saturday for around 60 people, including its military commanders, killed in its war with Israel, after Tehran’s top diplomat condemned Donald Trump’s comments

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Two killed as Kenyan anniv protests turn violent

Marches in Kenya to mark a year since massive anti-government demos turned violent on Wednesday, with two killed and running battles between protesters and police, who flooded Nairobi’s streets with

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Vinicius, Mbappe have to defend: Alonso

New Real Madrid coach Xabi Alonso warned his team’s stars including Vinicius Junior and Kylian Mbappe on Wednesday that they must all pitch in defensively. Last season under Carlo Ancelotti

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Qatar PM persuaded Iran to accept ceasefire: source with knowledge of talks

Qatar’s prime minister persuaded Iran to agree to a US-proposed ceasefire with Israel after Tehran fired missiles at an American base near Doha, a source with knowledge of the talks said on

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Iran says at least 610 killed since start of war with Israel

Israeli Defence Minister Israel Katz said he had ordered the military to strike Tehran after he said Iran fired missiles in violation of a ceasefire after 12 days of war.

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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