Tue, 23 Sep 2025, 09:28 am

DSCC libraries in dire straits

WB Desk:
  • Update Time : Saturday, March 11, 2023
  • 73 Time View

Out of the seven libraries that are supposed to serve nearly 43 lakh people in the Dhaka South City Corporation, only five are functional, and that too with a small number of books on their shelves.

Five of these libraries have a collection of some 500 books each while they are hardly visited by readers since Covid-19 pandemic broke out.

The libraries, which have stopped subscribing to daily newspapers, now don’t open regularly.

Ashraf Uddin Kabir, who runs the Zahir Raihan Sanskritik Kendro Pathagar in Sutrapur and the Tajuddin Smriti Pathagar in Wari, said that the Zahir Raihan Pathagar has around 500 books, mostly collected on a personal initiative.

‘Since the opening of the library in 2010, the DSCC has provided less than 100 books. I have collected the rest of the books from publication houses and individual donors,’ Ashraf said.

All the libraries, except for Tajuddin Smriti Pathagar, have not seen a single visitor in between February 24 to March 2.

Ashraf Uddin, librarian of Tajuddin Smriti Pathagar, and Md Zahidul Amin, librarian of Northbrook Hall Library, said that before the Covid-19 pandemic, people used to visit them mostly to read newspapers.

‘The libraries stopped subscribing to newspapers since the covid-19 pandemic broke out, and visitors also stopped coming,’ said Ashraf Uddin.

Most people don’t know these days when libraries open, and librarians open them randomly.

A staff working in the building of the Zahir Raihan Cultural Centre said that the library usually remains open between 3:00pm or 4:00pm until around 7:00 pm.

However, the libraries are supposed to remain open from 2:00 pm to 8:00pm, according to the DSCC schedule.

There are 105 books in Rokanpur Library, 500 in Mufti Maulana Din Mohammad Islami Library at Lalbag, and 4,634 in Tajuddin Smriti Pathagar.

The historic Northbrook Hall Library, established in 1882, has been shifted to the second floor of the Farashganj Diabetic Samity in Farashganj, as the library was sealed off in 2017 after the building was declared derelict.

‘Of 3,600 books, including some rare ones from the British era, the library has 1,200 books on two bookshelves. The rest are kept in sacks,’ said librarian Md Zahidul.

Haji Khalil Sardar Library in Hazaribagh Park and Nawabganj Park Library in Nawabganj Park remained closed for around two years due to construction at the parks.

The libraries have about 1,000 books together, said Abu Hena Mohammad Manjurul Ahsan, librarian of Haji Khalil Sardar Library, Nawabganj Park Library, and Mufti Maulana Din Mohammad Islami Library.

DSCC Social Welfare and Slum Development Officer Akand Mohammad Faisal Uddin said that the city corporation allocated Tk 20 lakh for the purchase of books in 2022–2023.

‘We would purchase books on Bangabandhu Sheikh Mujibur Rahman and the 1971 War of Independence,’ he said.

‘We also submitted a proposal to purchase reading tables, chairs, and bookshelves for the libraries. However, there is no allocation for newspaper subscriptions yet,’ he added.

In 2022, DSCC mayor Sheikh Fazle Noor Taposh inaugurated another library named Azimpur Nagar Pathaghar at the capital’s Azimpur bus stand, but the library has still not opened to the public.

The three-storey building has a public toilet on the ground floor and the library on the second floor.

DSCC Public Relations Officer and Spokesperson Abu Naser said that the formulation of a public library management policy was in progress.

‘Once the policy formulation is complete, the library will be handed over to the DSCC Social Welfare Department,’ he said.

He said that the library was built over the public toilet as there was a lack of space in Dhaka.

Please Share This Post in Your Social Media

Leave a Reply

Your email address will not be published. Required fields are marked *

More News Of This Category

The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

© All rights reserved © 2019 WeeklyBangladeshNY.Net
Theme Dwonload From ThemesBazar.Com