Tue, 23 Sep 2025, 10:03 am
Health

Study by Pfizer/BioNtech finds its COVID-19 vaccine 73.2 pct efficient in children

The COVID-19 vaccine from BioNTech and Pfizer provides 73.2 percent protection for young children aged six months to four years, according to a study published by the vaccine makers on

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DR Congo investigates suspected Ebola case

The Democratic Republic of Congo is investigating a suspected case of Ebola in its violence-wracked east, the World Health Organization said Saturday, just weeks after the end of a previous

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Public health emergency declared over monkeypox in WA county

King County, which includes Seattle, on Friday officially declared the local monkeypox outbreak a public health emergency as infections continue to increase in the city and other parts of the

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More than 150 children dead in Zimbabwe measles outbreak

A measles outbreak in Zimbabwe has killed at least 157 children, with more than 2,000 infections reported across the country, the government said on Tuesday. Cases have been growing rapidly

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Dietary salt alternatives can reduce the risk of heart attack, stroke and death

The findings of a recent study suggest that dietary salt substitutes lower the risk of heart attack, stroke and death from all causes and cardiovascular disease, finds a pooled data

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Want healthy bones and joints in old age?

Shawdesh desk: We see a lot of people in the age of 50 years and above with some bone and joint pain, which could be avoided if proper care is

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Dengue: 92 new patients hospitalised in 24 hrs

Another 92 dengue patients were hospitalised in 24 hours till Wednesday morning, according to the Directorate General of Health Services (DGHS). Among them, 73 patients were hospitalised in Dhaka while

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Tips to eliminate vector-borne diseases this rainy season

The onset of monsoons brings along a host of diseases and infections that can pose a serious range of health threats for you and your family as the risk of

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Scientists revive cells and organs in dead pigs

Scientists announced Wednesday they have restored blood flow and cell function throughout the bodies of pigs that were dead for an hour, in a breakthrough experts say could mean we

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Kerala minister confirms first Monkeypox death in India

Kerala has reported the first death of a monkeypox case in India. The 22-year-old man hailed from Thrissur district of the state. ANI quoted state’s health minister Veena George as

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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