Tue, 23 Sep 2025, 09:55 am
Travel

Qantas launches ‘mystery flights’ to boost tourism

Qantas is launching “mystery flights” in a effort to boost domestic tourism across Australia and spark nostalgia. The day-trips, where passengers don’t know the destination when boarding, were popular in

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Albanian world heritage site struggles without tourists

Seeing city streets in 2019 flooded by tourists enjoying its beauty was a dream come true for residents of Gjirokastra, a city in southern Albania recognized as a UNESCO World

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Albanian world heritage site struggles without tourists

Seeing city streets in 2019 flooded by tourists enjoying its beauty was a dream come true for residents of Gjirokastra, a city in southern Albania recognized as a UNESCO World

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French Riviera cities under lockdown as new infections soar

Residents of Nice in the French Riviera will be denied their strolls along the beach on a sunny weekend, under a temporary local lockdown imposed to curb soaring COVID-19 infections.

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Airline industry app could open up quarantine-free travel

A new app to help travelers store and manage their certifications for Covid-19 tests and vaccines is set to launch next month. The IATA Travel Pass is being developed by

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Gun provocation reveals tensions in Michigan tourist haven

Some 90 minutes into a routine meeting of the Grand Traverse County board, its agenda packed with mundane topics such as roads and libraries, came a surprising seven seconds that

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Hawaii looks to welcome vaccinated tourists quarantine-free in 2021

Hawaii could start lifting quarantine rules for travellers who have been vaccinated against Covid-19 in a bid to give its tourism industry a boost. Under the current rules, anyone arriving

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Incredible underwater observatory for whale-watching set to open in 2022

A seriously cool new whale-watching attraction is set to open in 2022, with an underwater observatory from which visitors can watch mammals from humpback to blue whales. The £16.8million attraction

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The destinations open to travelers vaccinated against Covid-19

As the Covid-19 pandemic continues to wreak havoc on the travel industry, countless destinations around the world are rolling out vaccines to their most vulnerable citizens. The UK has already

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Heavy snowfall blankets Athens; vaccinations postponed

Unusually heavy snowfall has blanketed central Athens, with authorities warning residents particularly in the Greek capital’s northern and eastern suburbs to avoid leaving their homes Tuesday morning. Health authorities announced

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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