Tue, 23 Sep 2025, 09:28 am
Travel

You can get paid to live on a remote Irish island with its own seal colony

Living on a remote island with sprawling green hills and a handful of inhabitants sounds pretty tempting right now – and one island that fits the bill is after two

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Even as Covid cases spike, Trump lifts travel restrictions on Europe and Brazil

Outgoing US President Donald Trump on Monday issued an executive order to lift travel restrictions on European countries and Brazil which his administration had imposed in view of the coronavirus

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Paris to turn iconic Champs-Elysées into £223million ‘extraordinary garden’

The world-famous Champs-Élysées boulevard in Paris is about to get a huge €250million transformation (approx £223million). Stretching 1.2 miles between the Place de la Concorde and Arc de Triomphe, the

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Amsterdam could ban tourists from its cannabis shops from next year

Amsterdam could ban tourists from its cannabis shops (also known as coffee shops) in a bid to crack down on the rise of demand for cannabis. The city’s mayor Femke

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Luxury hotel creates rooms specifically designed for allergy-prone guests

A luxury hotel has unveiled new ‘hypoallergenic rooms’ where everything from the bedding to the wallpaper has been designed with the allergy-prone guest in mind. We’re talking allergy-friendly pillows, purified

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Tourism leads to less pessimistic tax forecast for Hawaii

Hawaii’s Council on Revenues on Thursday offered a less pessimistic outlook for state tax revenue for the current fiscal year given the way the tourism industry has recovered under the

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American Airlines is grounding emotional-support animals

American Airlines is banning emotional-support animals in a move that will force most owners to pay extra if they want their pets to travel with them. The airline said Tuesday

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Alberta leader reverses course, punishes for pandemic travel

Alberta’s premier has reversed course and is now punishing members of his government for vacationing outside Canada despite government guidelines urging people to avoid nonessential travel during the pandemic. Premier

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Bali’s Kuta Beach cleared of tons of plastic waste

Tons of trash have washed onto Bali’s famous Kuta Beach, prompting locals to spend the first day of the new year staging a cleanup. Residents from the Badung area on

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Toggi World reopens, draws huge crowd

Toggi World, an indoor amusement theme park for children at levels 8 and 9 of Bashundhara City Shopping Mall in the capital’s Panthapath area, saw a huge number of visitors

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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