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Chinese students in US will ‘be ok’: Trump

US president Donald Trump told reporters late Friday he wanted to assure Chinese international students in the country that they would be fine amid his administration’s crackdown on academia. Trump’s

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UN warns all of Gaza at risk of famine

The UN warned Friday that the entire population of Gaza was at risk of famine, as an Israeli far-right minister urged the use of ‘full force’ against Hamas. Negotiations to

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Iran may allow US inspectors from nuclear watchdog if deal reached

Iran on Wednesday said it may consider allowing US inspectors with the United Nations nuclear watchdog to inspect its facilities if a deal is reached with the United States. Iran

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UN in dark over Gaza aid group deliveries

The United Nations said on Tuesday it had no information on whether the Gaza Humanitarian Foundation, a US-backed aid group, had actually delivered any supplies inside the war-ravaged Palestinian territory.

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Israeli strikes kill 52, including 33 in a school

Rescuers said devastating Israeli strikes in the Gaza Strip killed at least 52 people on Monday, 33 of them in a school turned shelter. The civil defence agency said many

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Iran rejects push to suspend uranium enrichment to reach US deal

Iran on Monday ruled out suspending uranium enrichment as part of any nuclear deal with the United States — a key demand from Washington in successive rounds of talks between

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Israeli strikes kill 22 in Gaza

Rescuers in Gaza said 22 people were killed and dozens more wounded in Israeli air strikes across the Palestinian territory on Sunday. Civil defence agency spokesman Mahmud Bassal said seven

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Iran, US hold new round of nuclear talks in Rome

Iranian and US negotiators met in Rome on Friday for a fifth round of nuclear talks, after a public disagreement over Tehran’s uranium enrichment. The talks, which began in April,

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WHO begs Israel to show ‘mercy’ in Gaza

Fighting back tears, the head of the World Health Organisation on Thursday urged Israel to have ‘mercy’ in the Gaza war and insisted peace would be in Israel’s own interests.

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Israeli warning fire at diplomats sparks outcry amid Gaza pressure

Israeli troops fired warning shots during foreign diplomats’ visit to the occupied West Bank on Wednesday, the military said, drawing condemnation as pressure mounted on Israel to allow aid into

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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