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Gaza rescuers say at least 22 killed in overnight Israel strike

Gaza’s civil defence agency said Wednesday that an overnight Israeli air strike in the northern part of the Palestinian territory killed at least 22 people, including women and children. “At

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Russia calls for rapid Syria stabilisation, criticises Israel

The Kremlin said Wednesday that it wanted to see rapid stabilisation in Syria, criticising Israeli strikes and its creation of a “buffer zone” along the Israeli-annexed Golan Heights. Russia also

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Evacuations underway as Philippine volcano erupts

A volcano briefly erupted in the central Philippines on Monday, sending a huge ash column high into the sky as the government ordered the evacuation of surrounding villages. Rising more than

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104 journalists killed in 2024, over half in Gaza

This year has been “particularly deadly” for journalists with 104 killed worldwide, over half of them being in Gaza, the International Federation of Journalists (IFJ) said Tuesday. The toll for 2024

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Bashar al-Assad, family get asylum in Russia

Ousted Syrian president Bashar al-Assad and his family have received political asylum from the Kremlin for ‘humanitarian reasons’, reports Al Jazeera. According to the report, a number of sources, including

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S Korean opposition plans new impeachment push

South Korea’s main opposition party said on Sunday it will try again to impeach president Yoon Suk Yeol after his declaration of martial law. Meanwhile police arrested the defence minister

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US, UK, Spain, Japan, Germany, France, Canada Among 53 Countries Facing Kuwait e-Visa Suspension: New Travel Updates You Need to Know

Kuwait has announced the temporary suspension of its e-Visa service in order to upgrade and improve the system, enhancing the overall visitor experience. This decision affects travelers from 53 countries

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Iran, Russia, Turkey discuss Syria in Doha

The top diplomats from Iran, Turkey and Russia met in Qatar on Saturday for talks on Syria, where rebel forces have taken parts of the country in a lightning offensive.

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South Korea president escapes impeachment

South Korean President Yoon Suk Yeol escaped impeachment Saturday over his brief declaration of martial law, after lawmakers from his ruling party boycotted a vote despite huge protests outside parliament.

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Bashar al-Asad leaves Syria as rebels announce entering Damascus

The Syrian Observatory for Human Rights war monitor said on Sunday that president Bashar al-Assad had left the country, after losing swathes of territory to a lightning rebel offensive while

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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