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World News

UN urges Taliban not to block women’s medical training

The UN mission to Afghanistan on Wednesday urged the Taliban government to reconsider a reported plan to ban women from attending medical training institutes, in the latest move to restrict

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Amnesty accuses Israel of ‘genocide’ in Gaza

Amnesty International on Thursday accused Israel of “committing genocide” against Palestinians in Gaza since the start of the war last year, saying its new report was a “wake-up call” for the

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Nobel laureate Narges Mohammadi gets 3-week reprieve from prison in Iran after surgery

Iranian authorities on Wednesday freed Nobel peace prize winner Narges Mohammadi from prison for three weeks on medical grounds, a move supporters decried as “too little too late” and the UN said

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Kremlin comments on Ukraine’s bid to join NATO

Russia views Ukraine’s potential full membership in NATO as unacceptable because it would pose a security threat, Kremlin spokesman Dmitry Peskov has said. Speaking to reporters on Tuesday, Peskov was

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South Korea president declares martial law

South Korea’s president Yoon Suk Yeol on Tuesday declared emergency martial law, saying the step was necessary to protect the country from ‘communist forces’ amid parliamentary wrangling over a budget

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Arab, Muslim leaders gather in KSA as Israel strikes Gaza, Lebanon killing dozens

Arab and Muslim leaders gather in Saudi Arabia Monday for a summit addressing the wars in Gaza and Lebanon, a chance to send a message to US President-elect Donald Trump.

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Women, children comprise majority of Gaza war dead: probe

The UN on Friday condemned the staggering number of civilians killed in Israel’s war in Gaza, with women and children comprising nearly 70 per cent of the thousands of fatalities

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Around 22 die in railway station blast in Pakistan

At least 22 people were killed on Saturday in a bombing targeting a railway station in Balochistan province, local officials and a militant group said. The blast hit as passengers

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RT releases ‘Bullet for the President’ documentary

RT has retraced the footsteps of the would-be assassin who fired shots at former US president and Republican presidential candidate, Donald Trump, during a rally this summer, in a new

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Spain dreads more flood deaths as more rain expected

Spanish rescuers plunged into inundated garages to find bodies on Monday, a day after furious crowds heckled and hurled mud at the king and the prime minister following devastating floods.

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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