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Health

430 docs, nurses, staffs infected with coronavirus

Around 430 health professionals including 182 physicians and 66 nurses contracted coronavirus in the country so far, causing panic among the frontline fighters. Currently, over 500 physicians, nurses and medical

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Corona spreads to 50 districts

Over 100 people have died of coronavirus so far with nearly 3,000 people infected with the deadly virus in the country, as the pandemic disease has already spread to around

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Airline passengers undergo Covid-19 blood tests before boarding

In a potential sign of what the future might hold for air travelers, Dubai-based airline Emirates has begun carrying out Covid-19 blood tests on passengers at the airport prior to

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Bashundhara Ad-Din Hospital keeps health services open

Amid the threat of Covid-19 transmission, Bashundhara Ad-Din Hospital in Keraniganj has been providing health services maintaining social distances. Every day, around 250 patients are receiving services from the hospital

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BAF to provide measles vaccine to 11,500 Sajek children

A team of Bangladesh Air Force (BAF) went to remote hilly area of Sajek in Khagrachari to provide measles vaccine to as many as 11,500 children there as the area

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Fiber-rich food cuts breast cancer risk

Having fiber-rich food like wholegrain breakfast cereals including fruits, vegetables and whole grains can reduce breast cancer risk, says a new study. Soluble fiber was associated with lower risks of

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Long working hours can cause underactive thyroid

Researchers have found that adults who work long hours are more likely to have hypothyroidism, which is an underactive thyroid. Hypothyroidism can cause tiredness, depression, feeling cold, and weight gain.

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Blood test ‘can check for more than 50 types of cancer’

A simple blood test can check for more than 50 types of cancer, often before any signs or symptoms, scientists say. It could help diagnose tumours sooner, when they are

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Coronavirus ‘can have heart attack like symptoms’, doctors warn

With coronavirus cases in the UK almost at 20,000, fears about the rapid spread of the disease are growing. From a high fever to a dry cough, COVID-19 is known

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Gambia’s first coronavirus death a Bangladeshi

A Bangladeshi man has died in Gambia marking the first fatality from COVID-19 in the West African nation, said the Gambian health ministry. In a statement, the ministry said that

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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