Sun, 21 Sep 2025, 07:22 am
Health

Omega-3 supplements won’t protect you against cancer

Turning conventional wisdom on its head, new research has found that consuming omega-3 supplements may actually increase the risk of some cancers instead of reducing it. Omega-3 supplements may slightly

read more

Kidney donation: A noble act that can save lives of millions

Bahaul Haque Masum, 55, who had lost the ray of hope to survive having his both kidneys damaged 28 year ago, is still living a healthy life as a kidney

read more

Sugary drinks may be linked to lipid imbalance

Consuming sugary drinks may be linked to lipid imbalance, which increases the risk of cardiovascular diseases (CVDs), according to a new study. The study, published in Journal of the American

read more

Drug hope for people with chronic cough

Millions suffering from a chronic cough could have their debilitating symptoms relieved by a new treatment, according to a study. Up to 10% of adults worldwide experience symptoms with no clear

read more

Mental health challenges higher in young mothers: Study

Researchers have found that two out of three young mothers have at least one mental health issue. The study, published in the Journal of Adolescent Health, found that teen mothers

read more

US researchers use AI to develop powerful new antibiotic

In a first, US researchers have used artificial intelligence to identify a powerful new antibiotic capable of killing several drug-resistant bacteria. Antibiotics have been a cornerstone of modern medicine since

read more

Stopping Pneumonia from being a major child killer stressed

Despite the country’s notable advancement in child mortality rate, silent killer pneumonia still haunts the people, particularly the low-income groups, with apprehensions of creating havoc in one’s family. This became

read more

Coronavirus vaccine could be available ‘within months’: Oxford scientist

A coronavirus vaccine could be available ‘within months’, an Oxford University scientist has claimed. Professor Sarah Gilbert and colleagues at the Jenner Institute are ‘rapidly’ working out how to stop

read more

Eating fast food can make children fat

If you want your children to stay in shape, do not allow them to indulge in burgers and pizzas. Researchers have found that fast food intake can independently contribute to

read more

Living near green spaces may delay menopause

Living near green spaces is linked to a number of benefits, including a lower risk of obesity. Now researchers have found that living in a greener neighbourhood is associated with

read more

The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

© All rights reserved © 2019 WeeklyBangladeshNY.Net
Theme Dwonload From ThemesBazar.Com