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Health

Gonoshasthaya Kendra develops rapid coronavirus testing kit

Gonoshasthaya Kendra has claimed that it had developed its own rapid Covid-19 testing kit, which is able to give results result in 15 minutes. In a statement on Tuesday, the

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Heavy stress may shorten our life expectancy

If you are taking too much stress, read this carefully. Researchers have found that life expectancy is influenced not only by the traditional lifestyle-related risk factors, but also by factors

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Colorectal cancer on rise among young adults

With the rise in incidence of colorectal cancer (CRC) among adults, it could no longer be considered a disease of older people, according to a study. Although men in older

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Second patient cured of HIV, say doctors

A man from London has become the second person in the world to be cured of HIV, doctors say. Adam Castillejo is still free of the virus more than 30

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Don’t hug or shake hands, govt says in coronavirus advisory

The government on Monday urged people not to panic and take precautionary measures for preventing the spread of novel coronavirus or COVID-19. Precautionary measures advised by the World Health Organisation,

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Loneliness may increase inflammation in body

Researchers have found that social isolation and loneliness could be associated with increased inflammation in the body, though loneliness and isolation should neither be used interchangeably nor grouped together. For

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UNICEF’s instructions to prevent COVID-19

UNICEF issues the following instructions to prevent COVID-19. The corona virus is large in size with a cell diameter of 400-500 micro, so any mask prevents its entry, so there

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Immune cells play surprising role in heart: Study

New research in mice suggests that certain immune cells may help guide fetal development of the heart and play a role in how the adult heart beats, according to a

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Coronavirus has no bearing on temperature: IEDCR

Underscoring the need for changing the people’s lifestyle along with public awareness for preventing the Coronavirus (COVID-19), Institute of Epidemiology, Disease Control and Research (IEDCR) Director Professor Dr Meerjady Sabrina

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AI can improve diagnosis, treatment of sleep disorders

Not just overnight sleep tests, Artificial intelligence (AI) too has the potential to improve efficiencies and precision in sleep medicine, resulting in a more patient-centered care and better outcomes, researchers

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The megastar plays a philosophy professor shaken by a student’s sexual assault allegation against a colleague in Luca Guadagnino’s new film – and she’s easily the best thing about it. Julia Roberts doesn’t make many films these days. She was in Leave the World Behind in 2023; in 2022, there was her tropical romantic comedy with George Clooney, Ticket to Paradise; and then we have to jump all the way back to 2018 for her previous turn in Ben Is Back. But you can see why she chose to star in After the Hunt, a contentious campus drama directed by Luca Guadagnino (Call Me By Your Name, Challengers). Roberts is on screen for almost every one of its 139 minutes, and she is the monumental centre around which its chaos and controversy swirl. It’s the kind of heavyweight role that gets awards nominations if it goes to the right person – and Roberts is definitely the right person. Her character is Alma, a philosophy professor at Yale University. Striding regally around its leafy quadrangles in a chic white suit that matches her blonde hair, this combatively intelligent alpha female is adored by everyone who knows her. Her husband Frederik (Michael Stuhlbarg) is resigned to the fact that he loves her more than she loves him, and is willing to make whimsical jokes about the imbalance; Hank (Andrew Garfield), a would-be rebellious friend and colleague, is even more flirtatious with her than he is with everyone else; and her favourite PhD student, Maggie (Ayo Edebiri), worships her – which could explain why she is Alma’s favourite PhD student. It seems as if the status quo might soon be upset, though, as either Alma or Hank – or perhaps both – is expected to be granted permanent tenure. But then something far more drastic happens. The day after a boozy party in Alma and Frederik’s book-lined flat, Maggie tells Alma that Hank walked her home and then “crossed a line”. Alma is sympathetic – but only up to a point. There is no evidence of assault, so she isn’t sure whether to trust the word of a new friend over an old one, especially at such a critical moment in her career. And maybe, her thinking goes, lines were crossed at the party anyway, considering that teachers and students were hugging each other while knocking back expensive wine. “Roberts’ Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful” It’s refreshing to see a grown-up Hollywood film that takes on contemporary issues: feminism, cancel culture, identity politics, and the generation gap. But After the Hunt is more of an admirable project than an engaging drama, because it never stops reminding you of how clever it wants to be. Guadagnino keeps showing off his quirky camera angles and intrusive music choices. The screenplay, by Nora Garrett, squeezes too much philosophical jargon into the dialogue, and too many tangential scenes and subplots into the structure. You might think that the alleged assault would be a big enough deal for any film, but Alma is given mysterious abdominal pains and guilty secrets, and Maggie is overloaded with significance as a queer, black, plagiarism-prone young woman with a non-binary partner and rich parents who are major donors to the university. In theory, viewers of After the Hunt should leave the cinema arguing about its subject matter. In practice, they’re more likely to be asking each other what was going on and what it meant. It’s all a bit much, basically. Garfield, miscast as a denim-clad dude who is, it is implied, roughly the same age as Roberts’ character, shouts and swears and waves his arms with a quantity-over-quality approach to acting. Stuhlbarg’s flouncing and sing-song delivery are presumably meant to be irritating, but perhaps not as irritating as they actually are. At the heart of it all, though, Roberts is a different matter. She understands that less can be more. Her Alma is a coiled spring: her steely stillness makes her ferocity all the more powerful and her pain all the more intense. Her muttering is scarier than Garfield’s yelling, and when she glares at someone, they stay glared at. It’s an expertly controlled performance which demonstrates why Roberts has been a Hollywood icon for so long, and why she could well be in line for her second Oscar, 25 years after Erin Brockovich. After the Hunt would have been better if everyone else involved had had some of that control, too.

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